tag:blogger.com,1999:blog-91434078485525579442024-02-21T08:20:21.839+00:00Arquitecturas de TerraTaipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.comBlogger601125tag:blogger.com,1999:blog-9143407848552557944.post-59330376137201759822023-11-30T16:13:00.000+00:002023-11-30T16:13:15.026+00:00Exemplo_Cemitério de Eschen_Liechtenstein_2012<div class="separator" style="clear: both;"><img border="0" height="354" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvMP1uOYApsFch4cV4VclDtgXqTx0eSsNV3znsz4I0kOplAoXKu-rzLIOcqYHmjChZSdHoPhyphenhyphenLSjRTZtRHvywU80MN98dhvwYzBObP7YqxyHw5EW80zhZ7g4o1sliS-itXX8DBRvbKLpoaBmezZNEBoIwlMBw0ckmXTrdovGqJ2pKVg1CF7TJNEpMNBU4/w475-h354/2013_07_04_001_pp.jpg" width="475" /></div><div><h2 style="text-align: left;"><span style="font-family: arial;">Cemitério de Eschen, Liechtenstein</span></h2><span style="font-family: arial;">Muros de taipa (terra apiloada), </span></div><div><span style="font-family: arial;">s</span><span style="font-family: arial;">istema construtivo auto-portante e pré-fabricado</span></div><div><span style="font-family: arial;">Área global 125 m², aprox. 112 t</span><span style="font-family: arial;"><br />Ano: 2010 − 2012</span><div><span style="font-family: arial;">Cliente: Paróquia de Eschen</span></div><div><span style="font-family: arial;">Arquitectura: Hans-Jörg Hilti</span></div><div><span style="font-family: arial;">Conceptualização: Martin Rauch<br />Construtor: Erden Lehmbau GmbH / Lehm Ton Erde Baukunst GmbH</span></div></div><div><img border="0" height="648" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPk3f1d6PEgExpBy6e9WY2gy2BoFUhjuQCgUUNoavjrB1_QwULK_6zy4UoHlaa742AXxC5gJsZ5_zG9NdlD-u9rPHXURoJgMBvxXO9NAGT2a2YO33Ujmpsh2s91NwuKXhxZLytzkJ8WiebL3dbq1mpdT_PccwkSfxgklUlISxSOEYfxyy5NzaVNSPMDTE/w477-h648/2013_07_04_002_pp.jpg" width="477" /></div><div class="separator" style="clear: both;"><img border="0" height="356" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg94-_VQ37JVLpRupAS9Ih7Dl5sI8r_7wET9i98EZjJXowx-Eq-o_C5YIDae07ILDLOLVTPKRF48YzitrZq6ZvAvb9qWDIDjQ5IobR7aK_vvt4Dx5Q3z1eZqa1zIlDUfNC5JfVC8lGmRDd2EjDJUX0_XwWpgGlgcce1-hzoZufMJOTPAK8w06sA9Xg4rwY/w477-h356/2013_07_04_003_pp.jpg" width="477" /></div><div class="separator" style="clear: both;"><img border="0" height="357" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNzxxFFYLFtQOtIf20EtAlpMuF2uWAK6Jx4TefkONsmmfkFlSPmop4IUFPRlr634K60sfzerfssu0IfMuSeZH_q2zZpuiPr1SKeIZgPUtaP6RWws0XaabsfiOq8T15EXZz6iV9LEyoU1XlP5gHPqGoAnRWM4NIrEY3z1kevDZ5K-Hbo_Uet7YejGeN384/w478-h357/2013_07_04_004_pp.jpg" width="478" /></div><div class="separator" style="clear: both;"><img border="0" height="356" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj10qfnElxm3mSiaVymoTTm31HY26hE5dCYzxYjLIpaYy9zR8joqFyFBpVhegRvEriWmQ5PHvjEM7OZyxd895VBx2L7jB8CP7g3j98noNAX5_aPREpxHxR8HcEUXatoJ6qBVkHUho-4XYb_kVbLKqjUg46dloXRW-4oz9sZqGujMo2Ns0Q8iNDk9daAEuE/w479-h356/2013_07_04_005_pp.jpg" width="479" /></div><div class="separator" style="clear: both;"><img border="0" height="357" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWLXePZ9LpTOMSpkSmKSggCfut0jhBXG7vX382S3gkEOcTDZuW5K9XiR5vHpAzMZNtIJKWcDd1vq6EF_98dU3yxPVEGwvp_RIHVzaMWB9VtQ8s2T1gdIVeLaEIcEmcDzDw8hJK_ae8rXUY4fMhoaD-KPUNxB-hgCKeVKzv6AEAMKhBQseh84No-pjq6xg/w480-h357/2013_07_04_006_pp.jpg" width="480" /></div><div class="separator" style="clear: both;"><img border="0" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbDde7jAfsh1C_HVQaWOCGcoTqbYakIQk1lzZaULN5PUgRfaSlePHis1M6TjXSJQo16MpkUzieTBygG416GSgWy1kgZ6L0EhZOkyTLeh2s-dAIU_yjfcBi4_keIR9d6zhg4lVhcPtF_6FqN3DYo_K18p6gfhtY1ktoMVguTz3du-W51hPiz3-k-Iak_ZY/w481-h358/2013_07_04_007_pp.jpg" width="481" /></div><div><span style="font-family: arial;">Créditos das fotografias: Bruno Klomfar </span></div>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-43731937849947055062023-11-29T12:29:00.002+00:002023-11-29T12:31:03.940+00:00Article_After Morocco Quake, Earthen Buildings Come Under Scrutiny_Bloomberg<h2 style="text-align: left;"><span style="font-family: arial;">After Morocco Quake, Earthen Buildings Come Under Scrutiny</span></h2><span style="font-family: arial;">By <a href="https://www.bloomberg.com/authors/AVzOCdeMaig/maria-paula-mijares-torres?fbclid=IwAR3KkLOEl2kQQ2ebUP_y5pReIF0tb4N3r6Qx9y4c-NflR9XpiXqQ_yNOzLY">María Paula Mijares Torres</a><br />'Recent disasters have raised questions about the seismic vulnerability of mud-brick and rammed earth construction. Can this traditional building style be made safer?<br /></span><div class="x1e56ztr" style="margin-bottom: 8px;"><span style="font-family: arial;"><img height="320" src="https://assets.bwbx.io/images/users/iqjWHBFdfxIU/iK41e8EI5gLQ/v1/-1x-1.jpg" width="481" /><br /></span><div data-component="lazy-img" style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid rgb(229, 231, 235); box-sizing: border-box; position: relative;"><span style="font-family: arial;"><span style="font-size: x-small;">Mud-walled buildings lie in ruins in Ouirgane, Morocco, on Sept 11. Photographer: Nathan Laine/Bloomberg</span><br /><br /></span></div><div data-component="lazy-img" style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid rgb(229, 231, 235); box-sizing: border-box; position: relative;"><span style="font-family: arial;">The</span><span style="background-color: transparent; font-family: arial; text-align: justify;"> 6.8 magnitude earthquake that struck Morocco on Sept. 8 — the strongest in the country in 120 years — was centered in the High Atlas Mountains, one of the nation’s poorest regions. In remote villages, thousands of homes and buildings collapsed during the quake and its aftermath, with devastating results: More than 2,900 deaths have been confirmed, and 300,000 people have been made homeless.</span></div><div style="text-align: justify;"><span style="font-family: arial;">Many of these buildings were made of unfired mud bricks and rammed earth, a traditional building technique that’s been used for millennia. Newer buildings crumbled alongside historic ones, some of which have stood for several hundreds of years. Among the structures that appear to have been damaged are the Kutubiyya Mosque and parts of the Jewish quarter in the Old City of Marrakech, as well as the Tinmel Mosque and the Aït Benhaddou fortified city — centuries-old complexes that are partially or entirely made with earthen materials.</span></div><span style="font-family: arial;"><div style="text-align: justify;">This building style is common across Africa, as well as parts of Europe, Asia and the Americas: One in 10 of Unesco’s World Heritage sites employ the technique. But earthen buildings have a reputation for seismic vulnerability. In the 2003 quake that struck Bam, Iran — home of the 2,000-year old mud-brick Bam Citadel, as well as many other ancient buildings — up to 90% of the city’s urban fabric was destroyed or severely damaged.</div></span><img height="317" src="https://assets.bwbx.io/images/users/iqjWHBFdfxIU/i_9WO.JtwalI/v1/-1x-1.jpg" width="476" /></div><div class="x1e56ztr" style="margin-bottom: 8px;"><span style="font-size: x-small;"><span style="font-family: arial;">The heav</span><span style="font-family: arial;">ily damaged minaret of a mosque in Moulay Brahim, Morocco.Photo By Fernando Sanchez/Europa Press via Getty Images</span></span></div><div class="x1e56ztr" style="margin-bottom: 8px;"><span style="font-family: arial; text-align: justify;">But experts in the history of earthen buildings, like Huma Gupta, the Aga Khan professor in Islamic architecture at the Massachusetts Institute of Technology, say that in many ways this time-tested technique has been unfairly maligned. “I have been seeing a lot of reportage whenever there is an earthquake that affects a city or a town with a majority of earth architecture,” Gupta said. “There’s a sort of attribution of structural collapse to the material, but I want to make the distinction that it has very much to do with the fact that these earthen buildings have not been retrofitted for earthquakes.”</span></div><div class="x1e56ztr" style="margin-bottom: 8px;"><div data-component="lazy-img" style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 #0000; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid rgb(229, 231, 235); box-sizing: border-box; position: relative;"><span style="font-family: arial;"><div style="text-align: justify;">Indeed, modern concrete construction without proper seismic reinforcement can also fail during quakes, as seen in recent disasters in Turkey and Syria. And the sustainability benefits of earthen construction are considerable. “I just want to make sure that we don’t demonize earth architecture as being inherently bad in the face of natural disasters like earthquakes,” Gupta said.</div><div style="text-align: justify;">Experts have pointed to other factors in widespread building failures, including inadequate maintenance and modern repairs made with incompatible materials and techniques. Mehrdad Sasani, professor of structural engineering at Northeastern University and expert in building collapse and building resilience, points to the general poverty of the High Atlas region. “The most important reason for that area being so drastically affected by the earthquake is the lack of socioeconomic resources,” he said. “If you don’t have those resources, you think first about what to eat, having a roof over your head and how to provide. There is no time to think about whether my building is earthquake resistant.”</div></span></div></div><div class="x1e56ztr" style="margin-bottom: 8px;"><img height="318" src="https://assets.bwbx.io/images/users/iqjWHBFdfxIU/iWFMy2kcpe_g/v1/-1x-1.jpg" width="477" /></div><div class="x1e56ztr" style="margin-bottom: 8px;"><span style="font-family: arial; font-size: x-small; text-align: justify;">Crumbled buildings line a road in Tinmel, Morocco.Photographer: Matias Chiofalo/Getty ImagesEurope</span><br /><span style="font-family: arial;"><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Many buildings in this region are the product of informal construction, built without codes or standards and erratically maintained or inspected, Sasani said. Non-reinforced dwellings are also known for being particularly deadly after a collapse, because they crumble into a dense pile of rubble without leaving air pockets, as concrete-and-steel structures typically do. “When this kind of building breaks, it becomes practically soil,” said Sasani. “It would be hard to survive in a building like that — it’s like a ton of soil had fallen on top of you and it pretty much uses up all the spaces to breathe.”</div><div style="text-align: justify;">Seismic reinforcement can dramatically improve the performance of existing earthen buildings. At the Getty Conservation Institute, the Earthen Architecture Initiative has studied how to retrofit historic churches and other earthen buildings in Peru, working with the Peruvian Ministry of Culture and two local universities. “The methods that we’re testing range everything from walls that are covered with a geomesh, to timber reinforcements, to certain roof structures, all different kinds of methods to improve the performance of earth buildings,” said Benjamin Marcus, project specialist at the buildings and sites department at the Getty Conservation Institute.</div></span><p></p></div><img height="315" src="https://assets.bwbx.io/images/users/iqjWHBFdfxIU/iQM3RKAmG3oI/v1/-1x-1.jpg" width="474" /><span style="font-family: arial;"><div style="text-align: justify;"><span style="font-size: x-small;">Built of rammed earth and mud bricks, the Kasbah of Taourirt is among the best-preserved examples of Berber architecture. Photo: Scott S. Warren/Getty Conservation Institute</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">A key goal of seismic reinforcement is to strengthen the walls of a building to create a stable “box structure,” so that walls don’t separate from each other, leading to floor and roof collapse. That’s what brings down many unreinforced buildings — regardless of the material they’re built in.</div><div style="text-align: justify;">Marcus and his team are familiar with Moroccan building styles: The Getty group recently undertook a conservation and rehabilitation plan for the Kasbah of Taourirt in the city of Ouarzazate.</div><div style="text-align: justify;">Earthen buildings can also be engineered to be seismically resilient during the construction phase. At the University of California at Berkeley, architecture professor Ronald Rael has been experimenting with ways to use 3D printing to create earthen buildings embedded with fibers that make the structure more stable.</div><div style="text-align: justify;">“It’s really a lot like reinforcement steel and concrete,” Rael said. “You see those metal cages that are inside the concrete, so imagine a fabric cage inside of earth.”</div><div style="text-align: justify;">Like Gupta, Rael cautions against villainizing earthen architecture, an environmentally friendly technique that has been the focus of much interest in the green building industry. He cites the work of Burkina Faso architect Diébédo Francis Kéré, which relies heavily on the idea of using local materials like unfired clay rather than more energy-intensive steel and concrete. “If one of the most recent winners of what is basically the Nobel Prize of Architecture, the Pritzker Architecture Prize, can make buildings out of mud, why are we still seeing it as a bad thing?” he said. '</div><br /><a href="https://www.bloomberg.com/news/articles/2023-09-19/morocco-quake-takes-toll-on-earthen-homes-and-mud-brick-buildings?fbclid=IwAR0YHyE7y7xcY60SADVxVfaIJUsodt5DJKc_nBmQpKUKkNyL3MHMjaFsU4g">https://www.bloomberg.com/news/articles/2023-09-19/morocco-quake-takes-toll-on-earthen-homes-and-mud-brick-buildings?fbclid=IwAR0YHyE7y7xcY60SADVxVfaIJUsodt5DJKc_nBmQpKUKkNyL3MHMjaFsU4g</a></span>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-74408766010503847222023-11-27T10:39:00.006+00:002023-11-27T10:39:47.907+00:00Publicação_Taipa na arquitectura tradicional_Mariana Correia <h2 style="text-align: left;"><span style="font-family: arial;">Taipa na arquitectura tradicional_Mariana Correia </span></h2><span style="font-family: arial;">Artigo em <a href=" http://www.restapia.es/files/14812">http://www.restapia.es/files/14812</a></span><div><br /></div><div class="separator" style="clear: both;"><img border="0" height="326" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWW0ML6yb3GH0ugYDw93PhEqigo9HiIaHZLkOdiLd_6KCFT9AN-aMDJfiG1GI6bsJfDNWjxguklefMEchKIdgnA1kLYo9fk6jNMj9LKfx41aGy85hYOqjqGUFrgH1iQd4Fdh9tV9_TzJOVx-Sr2zm6Qb1TVHiAM0vcsRgdugqNDc9I_D-ym4stZK8B-H4/w476-h326/Taipa-com-pedra-no-topo-das-juntas-verticais-na-Casa-do-gado-do-Monte-Pelicao-em.jpg" width="476" /></div><span style="font-family: arial;">Exemplo de taipa com pedra no topo das juntas verticais na Casa do gado do Monte Pelicão em Saraiva, concelho de Ourique</span><br /><div><br /></div>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-67297168836771173152023-11-24T20:25:00.000+00:002023-11-24T20:25:01.765+00:00'The Mecca of re-use and circularity': Brussels startup turns waste earth into buildings_Léém_BC Materials_Belgium<h2 style="text-align: justify;"><span style="font-family: arial;">'The Mecca of re-use and circularity': Brussels startup turns waste earth into buildings</span></h2><div style="text-align: justify;"><span style="font-family: arial;"><span style="font-size: x-small;">Monday, 25 September 2023</span></span></div><div style="text-align: justify;"><span style="font-family: arial;">By Lauren Walker at Brussels Times </span><a href="https://www.brusselstimes.com/704690/the-mecca-of-re-use-and-circularity-brussels-startup-turns-waste-earth-into-buildings" style="font-family: arial;">here</a></div><div style="text-align: justify;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmE3tveqgzKD3MUHqMzOYou-hhQJgNvnjW6JBrk_DeE4hoDiNbYqskTq2FwMs4U-EYx3hkFSHZOucCMMV5_C2qE3PKmwrz5g-53P-c9lqjvzJgM7V8O9WwXqDTC3b4rRKKeVo-Us5RAFm0SFNrQ-_l1MSD1SU2Ju7NAw8j_CL7bFkdNMuNLojGGoJ4zr8/s1024/635048b7-img_3512-1024x683.jpg" imageanchor="1" style="clear: left; display: inline !important; margin-bottom: 1em; margin-right: 1em; text-align: left;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmE3tveqgzKD3MUHqMzOYou-hhQJgNvnjW6JBrk_DeE4hoDiNbYqskTq2FwMs4U-EYx3hkFSHZOucCMMV5_C2qE3PKmwrz5g-53P-c9lqjvzJgM7V8O9WwXqDTC3b4rRKKeVo-Us5RAFm0SFNrQ-_l1MSD1SU2Ju7NAw8j_CL7bFkdNMuNLojGGoJ4zr8/w473-h315/635048b7-img_3512-1024x683.jpg" /></a></div><div><span style="font-family: arial;"><span style="font-size: x-small;">Photo Credit: BC materials</span></span></div><div><span style="font-family: arial;"><span style="font-size: x-small;"><br /></span><div style="text-align: justify;">One Brussels-based startup is looking to tackle pollution caused by the construction sector one brick at a time. The innovative method transforms excavated soil into circular building materials to lower its price.</div></span></div><div style="text-align: justify;"><span style="font-family: arial;">On the global scale, urbanisation contributes the equivalent of one surface of new buildings the size of Paris every day. From the construction to the operation of buildings (heating, cooling and lighting), emissions from these structures account for almost 40% of the total global output, highlighting the need to make the sector more sustainable.</span></div><div style="text-align: justify;"><span style="font-family: arial;">The Belgian capital is becoming a global pioneer on this front with Brussels-based BC (short for Brussels Cooperation) Materials pioneering new techniques.</span></div><div style="text-align: justify;"><b style="font-family: arial;"><br /></b></div><div style="text-align: justify;"><b style="font-family: arial;">Upcycling waste</b></div><div style="text-align: justify;"><span style="font-family: arial;">In Belgium, about 37 million tonnes of excavated earth goes unused each year. But a new project called Léém transforms this into building materials, greatly reducing waste and removing the need for a large amount of polluting and CO2-intensive building materials.</span></div><div style="text-align: justify;"><span style="font-family: arial;">While a traditional brick or concrete block has a CO2 cost of 77-170 kg per square metre, a Léém brick emits just 3–10kg. It composed of 80% secondary raw materials; in traditional building materials this is just 0-10%. The bricks also help improve the air quality and the acoustics of buildings.</span></div><div style="text-align: justify;"><img border="0" height="356" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghyphenhyphenNgSj_TejdENn-lXiSmStW1gPLkmZl2KzdUn4niov-maTF3GlspOgiUpTEKHWQczxRSEcHv8scupSap22E-P8rJ9R47Z_z-hMCot8LYvncgO-C1DvzAo8ELe6s38BW2pD9aO7hhRr2ffVu-W0ZltBTDcDPaHoCL2-USwji0N9Lsl4qM0C3lbTidhMXU/w474-h356/837c1ac0-img_5072.jpg" width="474" /></div><div><span style="font-family: arial; font-size: x-small;">Photo Credit: BC materials</span></div><div><span style="font-family: arial; font-size: x-small;"><br /></span><span style="font-family: arial;">Despite the environmental savings, construction companies are often put off by the higher price and slower production of circular building materials. To overcome these challenges, BC materials collaborates with industrial players to cut prices for the compressed earth blocks by 39%.</span></div><div style="text-align: justify;"><span style="font-family: arial;">"Léém collaborates with industrial partners to revalorise 'waste' – like excavated earth – into plasters, paints, blocks, etc. In this way, we can make circular materials as accessible as possible," BC Materials' CEO Ken De Coom told The Brussels Times.</span></div><div style="text-align: justify;"><span style="font-family: arial;">The company has also stepped up production hugely, from 1,000 blocks per day to 80,000 blocks per day. It hopes this will see more projects adopt circular building materials.</span></div><div style="text-align: justify;"><span style="font-family: arial;">De Coom added that Brussels' attitude towards sustainable architecture helped birth the idea. "We don’t think there’s another city – with its amazing architectural diversity and polyvalent spaces – where we could have started this whole project."</span></div><div style="text-align: justify;"><span style="font-family: arial;">"It's no coincidence that architects all over the world visit us – from Copenhagen to Cambridge </span><span style="font-family: arial;">and from Canberra to L.A. – talking about Brussels as a 'Mecca of re-use and circularity'."</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">More information at <a href="https://bcmaterials.org/">https://bcmaterials.org/</a></span></div> Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-10334198416498174462023-11-20T13:38:00.000+00:002023-11-20T13:38:01.210+00:00 Text excerpt _The Potential of Earth_Upscaling Earth: Material, Process, Catalyst<h3 style="text-align: left;"><span style="text-align: justify;"><span lang="EN-GB" style="font-family: Arial, sans-serif;">The Potential of
Earth</span></span></h3><div style="text-align: left;"><span style="text-align: justify;"><span lang="EN-GB" style="font-family: Arial, sans-serif;"><span style="font-weight: normal;">from </span></span></span><span style="font-family: Arial, sans-serif; font-weight: normal; text-align: justify;">Upscaling Earth: Material, Process, Catalyst,</span></div>
<p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-GB;">Earth can serve
as the basis for infinite conceptualizations and take on many colors and forms.
From a historical perspective, earth is our oldest and single most important
building material: it encapsulates qualities that anchor architecture in its
very roots. </span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: arial;"><span lang="EN-GB">As Kjetil Trædal </span>Thorsen, founder of the Snøhetta
Architectural Design practice, has noted: </span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: arial;">“<i>The essence of creation is captured
in one material as old as the world itself and brand new as fast as it dries.
It is as warm as the colour tones of the ground it comes from, as hard as rock
to equally withstand the forces that made it, controlling humidity,
temperature. Show me one other material that can do the same</i> (4).” </span><o:p></o:p></p>
<p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-GB;">Earth can be
found almost anywhere in the world and translated into a con</span><span style="font-family: "Arial",sans-serif;"></span><span lang="EN-GB" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-GB;">textually unique
structure. Whether in the desert climates of North Africa, the tropical monsoon
regions of Asia, or the frost-laden contexts of Central Europe; whether a
peripheral single-family residence or highly urban, multi-story building: earth
is both a viable and palpably sustainable material with which to design our
world. <o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-GB;">Archaeological
excavations have revealed that earth has consistently been one of the most
widely used building materials, traversing climates and continents, and that
the building culture of earth has existed for more than nine thousand years (5).
Its typologies include not just residential structures but the religious
buildings, statues, and monuments, the ziggurats and fortifications that remain
a part of the urbanized world today. The cities of Jericho, Chan-Chan in Peru,
or Babylon in Iraq, the Alhambra in Spain, and even the original parts of the
Great Wall of China were all constructed using various earth building
techniques, from adobe brickmaking to ramming (6). </span></p><p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-GB;">Three thousand two hundred
years ago, parts of the temple complex of Ramses II were constructed with earth
bricks in Gourna, Egypt; the core of the sun pyramid in Teotihuacan, Mexico,
was primarily constructed with rammed earth between the years 300 and 900 CE (7).
Moreover, the earthen elements of these edifices did not contain any form of
further structural reinforcement or stabilization beyond wooden ring beams or
lintels of stone. These works demonstrate the ability of earth to withstand the
tests of time and -particularly when well maintained - to survive weather
events and even natural disasters such as earthquakes. <o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-GB;">Currently, earth
is the only material that completely aligns with fully sustainable building
principles, such as the cradle-to-cradle concept (8). Like no other building
material, earth is not only suited to its local climate but also has the
capacity to generate an equally localized building culture, one in which
investments in construction are grounded in social capital. </span></p><p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-GB;">It is this key
aspect that gives earthen architecture the potential to break the cycles of
financialization that extract profits from localities to enrich global conglomerates
and corporations, and that so often dictate the course of development around
the globe. Instead, the ever-varying characteristics of earth promote a broad
range of socially sustainable and economically viable solutions. <o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-GB;">More than this,
earth also provides a rich aesthetic palette that mirrors and expresses
cultural diversity. Anyone who has stood inside a house made of earth is
familiar with the strong sense of place the material generates. </span></p><p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-GB;">Earth is
healthy, not just in regard to sustainable construction, but also in the sense
of physical and psychological well-being. It creates an emotional, familiar
atmosphere and an unparalleled interior climate. While earth itself is not
technologically advanced, it is capable of highly technical feats; for example, its ability to absorb water vapor like no other human-made material.
Elevated and edified or not, earth contains great potential to meet contemporary
needs. As described by Iranian-American architect Mohsen Mostafavi: “<i>The
limitations of a material’s use, or misuse, depend solely on our capacity to
imagine alternative and unexpected means of incorporating it into the design
process.</i>” (9)<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-GB;">Architecture, as
a design practice, began to eschew building with earth hundreds of years ago.
The evolving specialization of the design world and fascination with more
technologically advanced methods has relegated earth to a primitive, basic
material. Only recently has this perception begun to change, and the potentials
of one of our most ancient building materials explored anew. The challenge,
therefore, as formulated by Mostafavi, is: </span></p><p class="MsoNormal"><span lang="EN-GB" style="font-family: "Arial",sans-serif; mso-ansi-language: EN-GB;">“</span><span style="font-family: arial;"><i>How can we use dirt from the surface of the earth to make an alternative architecture that is both technically and aesthetically responsive to the conditions of our times?</i>” (10)</span></p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-family: Arial, sans-serif; font-size: 8pt; text-align: left;">(4) Kjetil Trædal
Thorsen, as location in Venice in “Mud WORKS!” poster for the 15th International Architecture Exhibition, Biennale architettura 2016: Reporting from
the Front, May 28 to November 27, 2016.</span></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-family: "Arial",sans-serif; font-size: 8.0pt; line-height: 107%; mso-ansi-language: EN-GB;">(5) See Gernot Minke, Building with Earth:
Design and Technology of a Sustainable Architecture (Basel: Birkhäuser, 2012,
3rd ed.), p. 11.<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-family: "Arial",sans-serif; font-size: 8.0pt; line-height: 107%; mso-ansi-language: EN-GB;">(6)<span style="mso-spacerun: yes;"> </span>See David Easton, The Rammed Earth
House (White River Junction: Chelsea Green Publishing, 2007), p. 4.<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-family: "Arial",sans-serif; font-size: 8.0pt; line-height: 107%; mso-ansi-language: EN-GB;">(7)<span style="mso-spacerun: yes;"> </span>Ibid. pp. 3–9.<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-family: "Arial",sans-serif; font-size: 8.0pt; line-height: 107%; mso-ansi-language: EN-GB;">(8)<span style="mso-spacerun: yes;"> </span>See William McDonough and Michael
Braungart, Cradle to Cradle: Remaking the Way We Make Things (New York: North
Point Press, 2002).<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-family: "Arial",sans-serif; font-size: 8.0pt; line-height: 107%; mso-ansi-language: EN-GB;">(9) <span style="mso-spacerun: yes;"> </span>Mohsen Mostafavi, as cited in “Mud
WORKS!” (see note 4).<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-family: "Arial",sans-serif; font-size: 8.0pt; line-height: 107%; mso-ansi-language: EN-GB;">(10)<span style="mso-spacerun: yes;"> </span>Ibid.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: Arial, sans-serif; text-align: justify;">Text excerpt from:
Heringer, Anna, Howe, Lindsay Blair, Rauch, Martin, <i>Upscaling Earth: Material,
Process, Catalyst</i>, GTA publishers, February, 2020</span></p>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-22013133890234793972023-11-17T17:10:00.002+00:002023-11-17T17:10:52.917+00:00Quote_Citação_Alexandre Bastos<div style="text-align: justify;"><span style="font-family: arial;">“Nunca antes os arquitetos que trabalham com terra pensaram tanto na construção e na sua destruição. A tradição diz-nos que as casas nascem, vivem e depois morrem. Esta utopia da construção permanente, a escolha entre o ser efémero e o ser eterno, altera o conceito de construção e, sobretudo, o de arquitectura. </span></div><div style="text-align: justify;"><span style="font-family: arial;">Traz no entanto consigo outras utopias: a liberdade </span><span style="font-family: arial;">plena </span><span style="font-family: arial;">e a grande flexibilidade que a taipa nos oferece, e que pode ser modificada para as próximas gerações, tornando o efêmero um material eterno e reaproveitando o mesmo material a custo zero, dando-lhe uma nova vida.” </span><span style="font-family: arial;"> </span></div><div style="text-align: justify;"><span style="font-family: arial;">Alexandre Bastos, Mestre e Arquiteto português, Odemira</span></div><span style="font-family: arial;"><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-size: x-small;">“Never before had architects who work with earth thought so much about construction and its destruction. Tradition had it that houses were born, lived and then died. This utopia of the permanent construction, the choice between being ephemeral and being eternal, alters the concept of construction and, above all, that of architecture. It brings with it others utopias: the full freedom and great flexibility that rammed earth offers, which can be modified for the coming generations, making the ephemeral with an eternal material and reusing the same material at zero cost, giving it new life.”</span></div><div style="text-align: justify;"><span style="font-size: x-small;">Alexandre Bastos, Portuguese Master-Architect, Odemira</span></div><div style="text-align: justify;"><span style="font-size: small;">at Earthen Architecture: Past, Present and Future – Mileto, Vegas, García Soriano & Cristini (Eds) © 2015 Taylor & Francis Group, London, ISBN 978-1-138-02711-4</span></div><div style="text-align: justify;"><span style="font-size: x-small;"><div>Contemporary rammed earth construction. Alexandre Bastos—creativity and maturity</div><div>Francisco Jorge, ARGUMENTUM Edições, Lisbon, Portugal pp. 205-208</div></span></div></span>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-90330411985553619132023-11-09T12:13:00.000+00:002023-11-09T12:13:04.981+00:00The First Automated Rammed Earth House Building Machine_Form Earth<p style="text-align: justify;"> <iframe frameborder="0" height="270" src="https://youtube.com/embed/4TXj5IIkUIY?si=ebMwR4BtpoYaGAXk" width="480"></iframe></p><p><a href="https://www.youtube.com/watch?v=4TXj5IIkUIY"><span style="font-family: arial;">https://www.youtube.com/watch?v=4TXj5IIkUIY</span></a></p>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-63719003673668893752023-11-06T15:00:00.002+00:002023-11-06T15:00:32.229+00:00Adega para Armazenamento de Licores_Archiac (Charente-Maritime)_França<p></p><img height="372" src="https://www.amc-archi.com/mediatheque/3/6/7/000360763_large/chai-de-stockage-atelier-rural-archiac.jpg" width="496" /><span style="text-align: center;"></span><br /><div style="text-align: justify;"><span style="font-family: arial;">© Atelier Rural - Adega de armazenamento, Archiac</span></div><span style="font-family: arial;"><div style="text-align: justify;">'<b>EM CHARENTE-MARITIME, UMA ADEGA DE ARMAZENAMENTO EM TAIPA (</b><b>PISÉ) _</b><b>ATELIER RURAL </b></div></span><span style="font-family: arial;"><div style="text-align: justify;">L. P. </div><div style="text-align: justify;">12/11/2021 </div><div style="text-align: justify;">Na propriedade Fontanière de Archiac (Charente-Maritime), especializada no cultivo da vinha, a nova adega projectada pelo Atelier Rural é dedicada ao armazenamento de aguardente e conhaques e confere um lugar de destaque à terra crua. </div><div style="text-align: justify;">Foi neste contexto rural, perto de um pequeno lago, sobre um solo argiloso de fraca qualidade e considerado impróprio para utilização em paredes, que os arquitectos do Atelier Rural imaginaram uma construção em terra com quase 500 m2. </div><div style="text-align: justify;">Para isso, optaram por um sistema construtivo padrão, com pilares e vigas de betão corrente, preenchimento de paredes interiroes com blocos de cimento e exteriores com blocos de 40 cm de terra apiloada, sob uma cobertura de telha de inclinação única. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b>Terra batida pioneira </b></div><div style="text-align: justify;">A taipa foi realizada in situ, com terra vermelha de uma pedreira perto de Albi. Depois de misturada com areia cinzenta e brita, a formulação optimizada foi adaptada no local com a adição de argilas cinzentas de Biganos, a cerca de 200 km do projecto. </div><div style="text-align: justify;">Este foi um desafio para um empreiteiro que nunca tinha construído com terra. </div><div style="text-align: justify;">A taipa foi um dos três cenários propostos ao proprietário desta Quinta de conhaques, em conjunto com pedra e madeira, numa região sem oferta especializada no setor de empreitadas de terra e para um programa também ele pioneiro na área. </div><div style="text-align: justify;">Isto porque a terra, como material primário e com a sua capacidade de controlo natural de temperatura e humidade, estava até hoje nesta zona, reservada às caves onde se guardava o vinho.</div></span><span style="font-family: arial;"><div style="text-align: justify;"><br /></div></span><div style="text-align: justify;"><img alt="En Charente-Maritime, un chai de stockage enveloppé de pisé par Atelier Rural" class="imagePrincipale" data-original="/mediatheque/8/6/7/000360768_large/chai-de-stockage-atelier-rural-archiac.jpg" height="661" src="https://www.amc-archi.com/mediatheque/8/6/7/000360768_large/chai-de-stockage-atelier-rural-archiac.jpg" style="border: 0px; font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 15px; height: auto; max-width: 100%;" width="496" /></div><div style="text-align: justify;"><img height="372" src="https://www.amc-archi.com/mediatheque/8/5/7/000360758_large/chai-de-stockage-atelier-rural-archiac.jpg" width="497" /></div><div><img height="249" src="https://www.amc-archi.com/mediatheque/3/7/7/000347773_large/photo-23821-1417381-k5-k1-3275239-jpg.jpg" width="497" /></div><div><span style="font-family: arial;"><div style="text-align: justify;"><b><br /></b></div><div style="text-align: justify;"><b>FICHA TÉCNICA</b></div><div style="text-align: justify;">Local da Obra: Archiac (Charente-Maritime)</div><div style="text-align: justify;">Dono de Obra: GFA de Fontanière</div><div style="text-align: justify;">Projectistas: Atelier Rural Architectures, architecte mandataire ; Martin Pointet, BET terre ; ISB, BET structure ; Archivolte, pisé ; Lalande, VRD ; Gillebert, couverture ; Durozier, bois ; Chevalier, acier ; Sardain, électricité ; Aerelec, plomberie ; Savariau, paysage ; Oxo Line, équipement</div><div style="text-align: justify;">Programme : chai de stockage d’eau-de-vie</div><div style="text-align: justify;">Área Total: 425 m2</div><div style="text-align: justify;">Orçamento: 852 278 € HT</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Este texto é resultado de tradução livre a partir do <a href="https://www.amc-archi.com/article/en-charente-maritime-un-chai-de-stockage-enveloppe-de-pise-par-atelier-rural,72543" target="_blank">artigo da revista</a> <img height="15" src="https://www.amc-archi.com/images/logo-amc-abo-text.png" width="41" /> N°292 de Dezembro de 2020</div></span></div>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-22240723251570839432023-11-02T18:02:00.003+00:002023-11-02T18:02:29.755+00:00Premio de Arquitectura Terra Ibérica_2023<div><div style="text-align: justify;"><b style="font-family: arial;"><span style="font-size: medium;">Premio de Arquitectura Terra Ibérica 2023</span></b></div><span style="font-family: arial;"><div style="text-align: justify;"><b>Categoría Vivienda</b></div></span></div><div><div style="text-align: justify;"><b style="font-family: arial;">-Raw Rooms en Ibiza Peris+Toral Arquitectes</b></div><div style="text-align: justify;"><a href="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/1raw-rooms-1-jose-heviajpg_1695807887.jpeg"></a><a href="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/1raw-rooms-1-jose-heviajpg_1695807887.jpeg"><img height="525" src="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/1raw-rooms-1-jose-heviajpg_1695807887.jpeg" width="486" /></a></div></div><div><div><div style="text-align: justify;"><span style="font-family: arial; font-size: small;">Fotografía: José Hevia.</span></div><span style="font-family: arial;"><div style="text-align: justify;">43 viviendas proyectadas por <a href="https://peristoral.com/">Peris + Toral Arquitectes</a> para el IBAVI, Instituto Balear de la Vivienda, en una zona de nuevo crecimiento urbano al sur de la ciudad de Ibiza. Su propuesta plantea un sistema energético con una baja huella de carbono empleando muros de carga con bloques de tierra compactada (BTC) de 20 centímetros de espesor.</div></span></div><p style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; line-height: 2; margin-bottom: 1rem; margin-top: 0px;"></p><div style="text-align: justify;"><a data-lightbox="description" data-title="" href="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/1-resized-jos-heviavpoibiza-finalb-105jpg_1695807990.jpeg" style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; color: rgb(7, 94, 255) !important; font-family: "Roboto Condensed"; font-size: 14px; font-weight: bold; letter-spacing: 0.3px; text-decoration-line: none;"><img class="lazyload" data-src="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/1-resized-jos-heviavpoibiza-finalb-105jpg_1695807990.jpeg" height="509" src="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/1-resized-jos-heviavpoibiza-finalb-105jpg_1695807990.jpeg" style="-webkit-tap-highlight-color: transparent; border-style: none; box-sizing: border-box; max-width: 100%; vertical-align: middle;" width="486" /></a></div><span style="font-family: arial;"><div style="text-align: justify;"><span style="font-size: x-small;">Fotografía: José Hevia.</span></div><div style="text-align: justify;">El jurado ha valorado la complejidad técnica de su diseño y el «resultado excepcional de integración en el entorno y aprovechamiento de recursos de la arquitectura vernácula».</div><div style="text-align: justify;">En esta categoría se ha entregado un segundo premio aequo a dos obras:</div></span><p></p><p style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; line-height: 2; margin-bottom: 1rem; margin-top: 0px;"></p><div style="text-align: justify;"><a data-lightbox="description" data-title="" href="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/2entre-tierradocumento-1-categoria-1-entre-tierrajpg_1695808056.jpeg" style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; color: rgb(7, 94, 255) !important; font-family: arial; font-size: 14px; font-weight: bold; letter-spacing: 0.3px; text-decoration-line: none;"><img class="lazyload" data-src="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/2entre-tierradocumento-1-categoria-1-entre-tierrajpg_1695808056.jpeg" height="529" src="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/2entre-tierradocumento-1-categoria-1-entre-tierrajpg_1695808056.jpeg" style="-webkit-tap-highlight-color: transparent; border-style: none; box-sizing: border-box; max-width: 100%; vertical-align: middle;" width="489" /></a></div><span style="font-family: arial;"><div style="text-align: justify;">-<b>Proyecto Entre Tierra</b> (Cal Jordi & Anna) en Poal , Lleida, de <a href="https://hihastudio.com/">Hiha Studio</a>.</div></span><p></p><p style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; line-height: 2; margin-bottom: 1rem; margin-top: 0px;"></p><div style="text-align: justify;"><a href="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/3arqbag-rehabilitacin-de-dos-casas-entre-medianeras-0-paneles-a1jpg_1695808085.jpeg" style="font-family: arial;"><img height="553" src="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/3arqbag-rehabilitacin-de-dos-casas-entre-medianeras-0-paneles-a1jpg_1695808085.jpeg" width="490" /></a></div><span style="font-family: arial;"><div style="text-align: justify;">-<b>Rehabilitación de dos casas entre medianeras en Terrassa</b> , Barcelona, de <a href="https://www.arqbag.coop/">arqbag coop</a>.</div><div style="text-align: justify;">Y, finalmente, se ha otorgado un accésit a la <b>Casa de tierra en Boadilla de Rioseco</b> (Palencia) por Lara Fuster Prieto de <a href="https://www.instagram.com/hedera.estudi/">Heredera Estudi</a>.</div><div style="text-align: justify;"><a href="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/4resized-casa-de-tierra-boadilla-de-rioseco-2jpg_1695808196.jpeg"><img height="349" src="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/4resized-casa-de-tierra-boadilla-de-rioseco-2jpg_1695808196.jpeg" width="489" /></a></div><div style="text-align: justify;"><span style="font-weight: 700;"><br /></span></div></span><p></p><p style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; line-height: 2; margin-bottom: 1rem; margin-top: 0px;"></p><div style="text-align: justify;"><b style="font-family: arial;">Categoría Edificio de otros usos. Premio ex aequo</b></div><span style="font-family: arial;"><div style="text-align: justify;">-<b>Intervención en la torre de Castilfalé</b> (León), de Ramón Cañas Aparicio</div><div style="text-align: justify;"><a href="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/5torre-castilfalejpg_1695808310.jpeg"><img height="652" src="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/5torre-castilfalejpg_1695808310.jpeg" width="489" /></a></div><div style="text-align: justify;">El trabajo del arquitecto <a href="https://ramoncanasarquitecto.es/">Ramón Cañas Aparicio</a> ha consistido en la consolidación, restauración, protección y acceso al cuerpo superior desarrolladas en el entorno de la torre.</div><div style="text-align: justify;">-<b>Aula de Natura de Franqueses del Vallés</b>, Barcelona, de Edra Arquitectura Km0 y Bunyesc Arquitectes</div><div style="text-align: justify;"><a href="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/6aula-de-natura-franqueses-2jpg_1695808650.jpeg"><img height="324" src="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/6aula-de-natura-franqueses-2jpg_1695808650.jpeg" width="490" /></a></div><div style="text-align: justify;"><a href="https://arquitectura.edraculturaynatura.com/">Edra Arquitectura Km0</a> y <a href="http://www.bunyesc.com/">Bunyesc Arquitectes</a> han respondido al encargo de proponer un aula de interpretación de la naturaleza en un entorno de alto valor ecológico rompiendo el volumen en tres contenedores construidos con materiales naturales y locales: madera prefabricada y tierra procedente de los desprendimientos del meandro del río Congost.</div><div style="text-align: justify;">Ambas propuestas comparten una misma filosofía en común, ha destacado el jurado, «la búsqueda de la contemporaneidad» en un diálogo con el paisaje que «respeta lo ya existente».</div></span><span style="font-family: arial;"><div style="text-align: justify;">En esta categoría se ha entregado un <b>accésit</b> a la obra:</div></span><p></p><p style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; line-height: 2; margin-bottom: 1rem; margin-top: 0px;"></p><div style="text-align: justify;"><a href="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/7resized-centro-comunitario-manicajpg_1695808707.jpeg" style="font-family: arial;"><img height="321" src="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/7resized-centro-comunitario-manicajpg_1695808707.jpeg" width="481" /></a></div><span style="font-family: arial;"><div style="text-align: justify;"><b>-Centro Comunitario de Manica, Mozambique, de CAS Studio</b></div><div style="text-align: justify;"><a href="https://cas-at.com/">CAS Studio</a> ha diseñado un espacio comunitario y una escuela de formación social y cívica que el jurado ha valorado por su «puesta en valor de la labor social de la arquitectura».</div></span><div style="text-align: justify;"><span style="font-family: arial; font-weight: 700;"><br /></span></div><p></p><p style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; line-height: 2; margin-bottom: 1rem; margin-top: 0px; text-align: justify;"><b style="font-family: arial;">Categoría Innovación y divulgación</b></p><p style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; line-height: 2; margin-bottom: 1rem; margin-top: 0px;"></p><div style="text-align: justify;"><b style="font-family: arial;">- Manual 'Criterios de intervención en la arquitectura de tierra'</b><span style="font-family: arial;">, de Camilla Mileto y Fernando Vegas López‐Manzanares</span></div><div style="text-align: justify;"><a href="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/8criterios-de-intervencion-en-la-arquitectura-de-tierrajpg_1695808746.jpeg"></a><a href="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/8criterios-de-intervencion-en-la-arquitectura-de-tierrajpg_1695808746.jpeg"><img height="692" src="https://pro-tectonica-s3.s3.eu-west-1.amazonaws.com/8criterios-de-intervencion-en-la-arquitectura-de-tierrajpg_1695808746.jpeg" width="487" /></a></div><p></p><div style="text-align: justify;"><span style="font-family: arial;">Un informe enmarcado en el Proyecto Coremans, impulsado por el Instituto de Patrimonio Cultural de España (IPCE) del Ministerio de Educación, Cultura y Deporte con el objetivo de crear líneas guía de referencia para las intervenciones de restauración que se lleven a cabo en el patrimonio construido, cuyo contenido está disponible en: <a href="https://www.calameo.com/read/000075335431721e39425">Criterios de intervención en la arquitectura de tierra</a>.</span></div><p></p></div>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-85874234950728776332023-11-02T14:37:00.000+00:002023-11-02T14:37:06.547+00:00Artigo_Técnicas para melhorar a durabilidade da construção em terra_Rute Eires_Aires Camões_Maria Ponte<p><span style="font-family: arial;"><b>Técnicas para melhorar a durabilidade da construção em terra </b></span></p><p><span style="font-family: arial; font-size: x-small;">Rute Eires1 & Aires Camões1</span></p><p><span style="font-family: arial; font-size: x-small;">C-TAC, Universidade do Minho, Departamento de Engenharia Civil
Azurém, P - 4800-058 Guimarães, Portugal </span></p><p><span style="font-family: arial; font-size: x-small;">Maria Ponte2</span></p><p><span style="font-family: arial; font-size: x-small;">Universidade de Coimbra, Departamento de Arquitectura, Faculdade de Ciências e
Tecnologia, Coimbra Portugal</span></p><p><span style="font-family: arial;">'(...)</span></p><p><span style="font-family: arial;"><b>5 - ESTABILIZAÇÃO DO MATERIAL TERRA PARA AUMENTAR A
DURABILIDADE </b></span></p><p style="text-align: justify;"><span style="font-family: arial;">Entre os estabilizantes mais utilizados na construção em terra desde a Antiguidade
encontra-se a cal. </span></p><p style="text-align: justify;"><span style="font-family: arial;">Este material tem sido adicionado ao solo para construção de paredes em
terra e para preparação de argamassas à base de terra, utilizando-se diferentes tipos de cal,
sendo sobretudo utilizada cal aérea hidratada, Ca(OH)2, ou cal viva, CaO (Eires, 2012). </span></p><p style="text-align: justify;"><span style="font-family: arial;">O
principal propósito desta adição é incrementar as resistências mecânicas e a resistência à ação
da água. Este aumento pode ser explicado através da reação de carbonatação que ocorre na cal
na presença de CO2, mas também pela reação pozolânica entre partículas de argila presentes
no solo e cal (Santos, 2010 in Eires, 2012). </span></p><p style="text-align: justify;"><span style="font-family: arial;">A incorporação de biopolímeros na construção em terra, também tem sido utilizada a
fim de melhorar o seu comportamento face à ação da água. Existem inúmeros exemplos de
biopolímeros que têm sido usados como complemento estabilizante do solo. </span></p><p style="text-align: justify;"><span style="font-family: arial;">Alguns são de
origem vegetal, tais como farinhas, amidos, gomas, cato, óleos, ceras ou resinas de plantas,
outros de origem animal, como gorduras animais, soro de leite, caseína, claras de ovos,
sangue, excrementos e urina (Eires et al, 2010). No presente texto os biopolímeros são
considerados como polímeros de origem natural e biológica, sem qualquer tipo de síntese
laboratorial. Entre estes biopolímeros, os óleos ou gorduras, têm sido os mais utilizados para
tornar os edifícios em terra mais impermeáveis. Estes materiais são sobretudo incorporados na
hidratação da cal, mediante dois métodos distintos na sua preparação. Pode ser por simples
hidratação, juntando-se óleos ou gorduras com a cal e a quantidade adequada de água para a
hidratação, adicionando-se posteriormente essa mistura no solo a ser estabilizado, ou pode ser</span><span style="font-family: arial;"> utilizado um processo chamado "hidratação a quente", misturando simultaneamente o solo ou
areia argilosa com óleos e gorduras com a água necessária (Eires, 2012). </span></p><p style="text-align: justify;"><span style="font-family: arial;">Em termos históricos, a hidratação de cal com óleos já foi citada por Vitrúvio, que
mencionou sobre tubos de barro para a água o seguinte: "as juntas terão de ser revestidas com
uma mistura de cal viva e óleo", Vitruvius (século I a.C.). No século XVI, o refugo de óleo de
baleia, que era utilizado na iluminação da época, era utilizado como aditivo hidrófugo. Este
óleo com cal formava um material chamado "gala-gala", comumente usado nos Açores e
Brasil (Veiga, 2008 in Eires, 2012). Em Portugal, a cal viva hidratada a quente com óleos ou
gorduras também era usada para estabilizar as paredes de terra ou argamassas. Foi
mencionado também este tipo de uso em edifícios tradicionais construídos em terra e madeira
em Lisboa (CML, 2005 in Eires, 2012). </span></p><p style="text-align: justify;"><span style="font-family: arial;">Relativamente à conexão entre a cal e os
biopolímeros é referido por Čechová que em ambientes básicos, por exemplo, em argamassas
à base de terra e cal ou em solo estabilizado com cal, com a adição de óleos ou gorduras os
triglicérois, presentes na sua constituição, quando hidratados, resultam em sais insolúveis de
cálcio de ácidos gordos. Estes sais são hidrófugos e conectam-se bem com o cálcio da cal e
proporcionando maior repelência à água (Čechová, 2009). </span></p><p style="text-align: justify;"><span style="font-family: arial;">Na Universidade do Minho, foi desenvolvido um trabalho de pesquisa sobre o estudo
da estabilização de solo com cal e biopolímeros, adaptando o conhecimento antigo para
melhorar a durabilidade relacionada com a ação da água. O principal objetivo do estudo era
conseguir uma estabilização do solo adequada para a construção com terra compactada (taipa
ou blocos de terra compactados, BTC) sem revestimento adicional, obtendo boa durabilidade
contra a ação da água sem comprometer o potencial estético do material da terra.
Desta forma, desenvolveu-se um estudo geral relacionado com a incorporação de
biopolímeros (amido de milho, farinha de trigo, açúcar, óleo de linhaça, glicerol, caseína, óleo
de cozinha usado e compostos de água de pasta de celulose e de palha) e aditivos minerais
(hidróxido de sódio, silicato de sódio, alúmen, cloreto de cálcio, cloreto de sódio e borato de
sódio). </span></p><p style="text-align: justify;"><span style="font-family: arial;">A percentagem adicionada de biopolímeros fixou-se em 0,4% e 1,0% da massa de solo
e a percentagem de aditivos minerais foi 0,1%. </span></p><p style="text-align: justify;"><span style="font-family: arial;">Os principais resultados obtidos, relativamente
à absorção de água por capilaridade e resistência à compressão no estado saturado, mostraram
que, entre os biopolímeros testados, os óleos proporcionavam um melhor comportamento e
entre os aditivos minerais testados o hidróxido de sódio apresentava melhores resultados,
(Eires, 2012). </span></p><p style="text-align: justify;"><span style="font-family: arial;">Foi também testada a estabilização de solo com: cal viva (CV), cal hidratada (CH) e
cimento (C) (4% da massa de solo por cada estabilizante), óleo de cozinha usado (O) (1,0%
da massa de solo), e a adição simultânea de hidróxido de sódio (CV_NaOH e CV_O_NaOH)
(0,1% da massa de solo), cujos principais resultados se encontram na Figura 7, Eires (2012). </span></p><p style="text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0FnfY6XLgWhBau0wNDOrNFiPa7CObU8lXOK-PWdlnaxbLMxMXvg2TnuXThpTUnhIkU1E_gghTdrtnPmw8OP4bs_MIEK4x5cvxyoqrqI3cSYMNuI8n7Z79Ovxz4a9dXYGvDyIARqXTRNEFIWp081zhgMeYpz0TOoOdMAZNUd1ZbkdLIz_movhAf-G727o/s1389/Resist%C3%AAncia%20%C3%A0%20compress%C3%A3o_coeficiente%20de%20absor%C3%A7%C3%A3o%20de%20%C3%A1gua%20e%20%C3%A1gua%20absorvida.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="599" data-original-width="1389" height="207" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0FnfY6XLgWhBau0wNDOrNFiPa7CObU8lXOK-PWdlnaxbLMxMXvg2TnuXThpTUnhIkU1E_gghTdrtnPmw8OP4bs_MIEK4x5cvxyoqrqI3cSYMNuI8n7Z79Ovxz4a9dXYGvDyIARqXTRNEFIWp081zhgMeYpz0TOoOdMAZNUd1ZbkdLIz_movhAf-G727o/w479-h207/Resist%C3%AAncia%20%C3%A0%20compress%C3%A3o_coeficiente%20de%20absor%C3%A7%C3%A3o%20de%20%C3%A1gua%20e%20%C3%A1gua%20absorvida.jpg" width="479" /></a></div><br /><span style="font-family: arial;"><br /></span><p></p><p style="text-align: justify;"><span style="font-family: arial;"><br /></span></p><p style="text-align: justify;"><span style="font-family: arial;"><br /></span></p><p style="text-align: justify;"><span style="font-family: arial;"><br /></span></p><p style="text-align: justify;"><span style="font-family: arial;"><br /></span></p><p style="text-align: justify;"><span style="font-family: arial;">Estes resultados mostram que o solo estabilizado com cal viva mostrou um melhor
desempenho, acima de tudo, com a adição de óleo de cozinha usado e hidróxido de sódio.</span></p><p style="text-align: justify;"><span style="font-family: arial;">Comparando o solo de referência, não estabilizado (REF), com as composições de solo
com cal viva (CV) os resultados dos ensaios de resistência à compressão revelam: um
aumento de 102% sobre a resistência devido à estabilização com cal viva; um aumento de
131% com adição complementar de óleo (CV_O); e um aumento de 150% com adição
simultânea de óleo e de hidróxido de sódio (CV_O_NaOH). </span></p><p style="text-align: justify;"><span style="font-family: arial;">As composições com cal viva e
óleo também mostraram um bom desempenho na absorção de água por capilaridade
(diminuição de água absorvida em cerca de 95%).
Em testes de erosão acelerada, usando um jato em spray para simular a ação de chuva,
estas composições de cal viva com óleo também apresentaram bons resultados, com uma
erosão reduzida, apresentando uma redução da erosão face ao solo de referência de 99,5%
(Eires, 2012).</span></p><p style="text-align: justify;"><span style="font-family: arial; text-align: left;">(...)'</span></p>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-16310671789498103722023-10-31T13:03:00.001+00:002023-10-31T13:03:59.635+00:00Documentário_A Argila<p><iframe frameborder="0" height="270" src="https://youtube.com/embed/FXO1S-vL1g4?si=1AdvqMy2c33-0UuE" width="480"></iframe></p><span style="font-family: arial;"><a href="https://www.youtube.com/watch?v=FXO1S-vL1g4">https://www.youtube.com/watch?v=FXO1S-vL1g4<br /></a><br /></span><div><span style="font-family: arial;"><a href="https://www.youtube.com/watch?v=FXO1S-vL1g4">A Argila</a><br />Episódio 2 de 5 Duração: 52 min<br />Existe uma rocha particularmente espantosa. Mole e frágil quando seca, que fica maleável em contacto com a água e pode solidificar de forma irreversível sob a ação do fogo.<br />Influencia a vida como nenhuma outra, graças à sua capacidade de troca. Transformou o rumo da história desde que o Homem a descobriu. <br />Essa rocha é a argila.<br /><b><br /></b></span><div><span style="font-family: arial;"><b>Ficha Técnica</b><br />Título Original<br />Secrets de Roches<br />Realização<br />Christophe Cousin, Matthieu Maillet<br />Produção<br />ARTE France, Haut et Court Doc, Haut et Court Tv, Ushuaia<br />Autoria<br />Escrito por: Christophe Cousin, Gautier Dubois<br />Música<br />Jérôme Plasseraud<br />Ano<br />2022<br />Duração<br />52 minutos</span></div></div>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-54530531634754360892023-10-17T17:08:00.000+01:002023-10-17T17:08:24.404+01:00Cátedra UNESCO de Arquitectura de tierra_Conferencia_18 Oct 2023“Hot mixed lime. Mortars and earthen structures”_Nigel Copsey<div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhly6QE3pamcWk4DGc0niDG1s4oNh0DbebPsDyXJR6KNFVsWxzNojrlBezSiqmpZdNHQvHjNRB76achk9qXTw-1YE_2yEP7Pa2-Wn-T1dTlaFlUzzGf6sE7a1pNWGPEfxuzF2qQUWHPCz3wXANrGaVFby7lk7PCvineEsfjOGiwdnJyJRkkJ7U3ACGcVtE/s1116/unnamed.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1116" data-original-width="789" height="662" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhly6QE3pamcWk4DGc0niDG1s4oNh0DbebPsDyXJR6KNFVsWxzNojrlBezSiqmpZdNHQvHjNRB76achk9qXTw-1YE_2yEP7Pa2-Wn-T1dTlaFlUzzGf6sE7a1pNWGPEfxuzF2qQUWHPCz3wXANrGaVFby7lk7PCvineEsfjOGiwdnJyJRkkJ7U3ACGcVtE/w468-h662/unnamed.jpg" width="468" /></a></div><span style="font-family: arial;">(ES) </span></div><div style="text-align: justify;"><span style="font-family: arial;">Desde la <b>Cátedra UNESCO</b> de Arquitectura de tierra, culturas constructivas y desarrollo sostenible sigue información relativa la próxima conferencia que tendrá lugar el <b>miércoles 18 de octubre de 2023 a las 13:00h</b> en el Aula de Proyecciones de la <b>Escuela Técnica Superior de Arquitectura de la Universitat Politècnica de València</b>. El título de la conferencia es “<b>Hot mixed lime. Mortars and earthen structures</b>” y correrá a cargo de <b>Nigel Copsey</b>, artesano de Earth & Stone Lime Company.</span></div><div style="text-align: justify;"><span style="font-family: arial;">(EN)</span></div><span style="font-family: arial;">The <b>UNESCO Chair</b> Earthen Architecture, constructive cultures and sustainable development would like to inform you about the next conference.<br />The conference’s title is “<b>Hot mixed lime. Mortars and earthen structures</b>” by Nigel Copsey, craftsman at Earth & Stone Lime Company. It will take place on Wednesday October 18th 2023, at 13:00h, in the Aula de Proyecciones of the <b>Escuela Técnica Superior de Arquitectura - Universitat Politècnica de València</b>.</span><br /><div style="text-align: justify;"><br /></div>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-61780342690102710922023-10-13T19:02:00.007+01:002023-10-30T23:09:25.844+00:00Call for abstracts_Terra Education IV_Changing Scale_Changer d’échelle_Cambiar de escala_Grenoble_France_4-6 July 2024<span style="font-family: arial;"><b> Call for abstracts <br /></b></span><p style="margin: 0cm 0cm 0.0001pt;"><span style="font-family: arial; font-size: large;"><b><i>Terra Education IV<br /></i></b></span><span style="background-color: transparent; font-family: arial;"><b>Changing Scale </b></span><span style="background-color: transparent; font-family: arial;"><b><span>| </span></b></span><b style="background-color: transparent; font-family: arial;">Changer d’échelle | Cambiar de escala</b></p><span style="font-family: arial;"><b> Grenoble, France <br /><span style="font-size: large;"> 4-6 July 2024</span></b></span><p></p><p style="background-color: white; margin: 0cm 0cm 0.0001pt; text-align: center;"></p><div style="text-align: justify;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTyIqhcBTNPL_KUjKGC3DQKhjNd_2H6wKhT5deFeVJa50e2e9ZaKdlxtYTXg75dG_p0iY1VtLjT3qLeyMwl-0WQiXTMGCk_gM7TzTKiLLyywgcJX9u_DizcTAqaB3FEgVeIeiBGpynPGrX7dnEqtFTkVi9xkjdiNK_rxCcLAoJEMXxEZuQCkIxrcTcvho/s567/TERRA%20EDUC.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="567" data-original-width="425" height="632" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTyIqhcBTNPL_KUjKGC3DQKhjNd_2H6wKhT5deFeVJa50e2e9ZaKdlxtYTXg75dG_p0iY1VtLjT3qLeyMwl-0WQiXTMGCk_gM7TzTKiLLyywgcJX9u_DizcTAqaB3FEgVeIeiBGpynPGrX7dnEqtFTkVi9xkjdiNK_rxCcLAoJEMXxEZuQCkIxrcTcvho/w475-h632/TERRA%20EDUC.png" width="475" /></a></div><b><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b><br /></b></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b>[EN] </b>Dear all,</div></b></span></div><p></p><span style="font-family: arial;"><div style="text-align: justify;">Since the middle of the last century, efforts have been made to better exploit the potential of earth as a building material. All over the world, interest in earthen architecture is growing, and research centres are multiplying, as are training efforts.</div><div style="text-align: justify;">However, the major projects carried out in the 1970s (e.g. "Village terre" in Villefontaine, France ; a social housing and infrastructure programme in Mayotte, etc.) did not become widespread. Their appropriation has often remained at the prototype or demonstrator stage. A situation which is not always easy to decipher. Is it lack of support from public authorities? Lack of interest from professionals? Lack of standards? Inadequacy for widespread use?</div><div style="text-align: justify;">The Terra Education IV conference aims to take stock of this phenomenon(s) and to decipher the underlying mechanisms and/or strategies, in order to better integrate them into the research and training programs of the UNESCO Chairs network, and beyond. What actions have been taken and what conditions have been put in place to facilitate the implementation of large-scale projects? What partnerships have been established? What technological developments or construction processes have been developed? What scale of development is most appropriate for the sector (industrial, semi-industrial, artisanal, etc.)? Shouldn't strategic approaches be systematized, including the complementary activities of research, training, experimentation, support, etc.?<b> </b></div><b><div style="text-align: justify;"><b>THEMES</b></div></b><div style="text-align: justify;">To address these questions, Terra Education IV invites you to contribute under one of 7 themes:</div><div style="text-align: justify;">1. Conservation, rehabilitation and adaptation of heritage</div><div style="text-align: justify;">2. Reverse engineering of local building cultures</div><div style="text-align: justify;">3. Training (programs, professional certification, local ranchoring, etc.)</div><div style="text-align: justify;">4. Partnerships and multidisciplinarity</div><div style="text-align: justify;">5. Production sectors (innovation, production, technological research)</div><div style="text-align: justify;">6. Characterization – Standardization</div><div style="text-align: justify;">7. Strategic approaches : beyond the architectural project, the development project</div><div style="text-align: justify;">Deadline submission of abstracts : November 26th, 2023</div><div style="text-align: justify;"><a href="https://terraeducation4.sciencesconf.org/resource/page/id/1">To download the Call for abstract</a></div><div style="text-align: justify;">More information about the submission of abstracts and the conference can be found on the Conference website: <a href="https://terraeducation4.sciencesconf.org/">https://terraeducation4.sciencesconf.org/</a></div><div style="text-align: justify;">Terra Education IV is the 4th event of its kind, organised under the aegis of the UNESCO Chair "Earthen Architecture, Building Cultures andSustainable Development" and to mark the 40th anniversary of the creation of the post-master's degree in earthen architecture.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b>[FR] </b>Chers collègues,</div><div style="text-align: justify;">Depuis le milieu du siècle dernier, des efforts ont été déployés pour mieux valoriser le potentiel de la terre en tant que matériau de construction. Partout dans le monde, l’intérêt pour l’architecture de terre progresse, les centres de recherche se multiplient, ainsi que les efforts de formation.</div><div style="text-align: justify;">Cependant, les grands projets réalisés dans les années 1970 (village de la terre à Villefontaine, France ; programmes de logements sociaux et d’infrastructures à Mayotte, etc.) ne se sont pas généralisés. Leur appropriation est souvent restée à l’étape du prototype ou du démonstrateur. Une situation qu’il n’est pas toujours facile de décrypter. Manque de soutien des pouvoirs publics ? Manque d’intérêt des professionnels ? Demande sociale trop limitée ? Absence de normes ? Inadaptation des solutions expérimentées à une diffusion large ?</div><div style="text-align: justify;">La conférence Terra Education IV vise à faire le point sur ce(s) phénomène(s) et à en décrypter les mécanismes et/ou stratégies sous-jacentes, afin de mieux les intégrer dans les programmes de recherche et de formation du réseau de la Chaire UNESCO, et au-delà. Quelles actions ont été menées et quelles conditions ont été mises en place pour faciliter la mise en œuvre de grands projets ? Quels partenariats ont été établis ? Quelles évolutions technologiques ou processus constructifs ont été développés ? Quelles échelles de développement de la filière sont les plus adaptées (industriel, semi-industriel, artisanal, …) ? Ne faut-il pas systématiser des approches stratégiques, comprenant des activités complémentaires de recherche, de formation, d’expérimentation, d’accompagnement, etc. ?</div><div style="text-align: justify;"><b>THEMES</b></div><div style="text-align: justify;">En réponse à ces questions, Terra Education IV vous invite à participer au travers de 7 thèmes :</div><div style="text-align: justify;">1. Conservation, réhabilitation et adaptation du patrimoine</div><div style="text-align: justify;">2. Rétro-ingénierie des Cultures Constructives locales</div><div style="text-align: justify;">3. Formation (cursus, certification professionnelle, ancrage local, ...)</div><div style="text-align: justify;">4. Partenariats et pluridisciplinarité</div><div style="text-align: justify;">5. Filières de production (innovation, production, recherche technologique)</div><div style="text-align: justify;">6. Caractérisation – Normalisation</div><div style="text-align: justify;">7. Approches stratégiques : au-delà du projet architectural, le projet de développement</div><div style="text-align: justify;">Date limite de soumission des résumés : 26 novembre 2023</div><div style="text-align: justify;"><a href="https://terraeducation4.sciencesconf.org/resource/page/id/1">Pour télécharger l'appel à résumé</a></div><div style="text-align: justify;">De plus amples informations sur la soumission des résumés et sur la conférence sont disponibles sur le site web de la conférence : <a href="https://terraeducation4.sciencesconf.org/">https://terraeducation4.sciencesconf.org/</a></div><div style="text-align: justify;">Terra Education IV est la 4ème édition du genre, organisée sous l‘égide de la Chaire UNESCO « Architecture de terre, cultures constructives et développement durable » et à l’occasion du 40ème anniversaire de la création du diplôme post-master Architecture de terre.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b>[ES] </b>Estimados colegas</div><div style="text-align: justify;">Desde mediados del siglo pasado, se han realizado esfuerzos para explotar mejor el potencial de la tierra como material de construcción. En todo el mundo crece el interés por la arquitectura de tierra y se multiplican los centros de investigación y los programas de formación.</div><div style="text-align: justify;">Sin embargo, los grandes proyectos realizados en los años 70 no se generalizaron. Su apropiación se ha quedado a menudo en la fase de prototipo o de demostrador. Una situación que no siempre es fácil de descifrar. ¿Falta de apoyo de las autoridades públicas? ¿Desinterés de los profesionales? ¿Demanda social limitada? ¿Falta de normas? ¿Soluciones probadas no aptas para un uso generalizado?</div><div style="text-align: justify;">La conferencia Terra Education IV pretende hacer balance de este(os) fenómeno(s) y descifrar los mecanismos y/o estrategias subyacentes, con el fin de integrarlos mejor en los programas de investigación y formación de la red de la Cátedra UNESCO, y más allá. ¿Qué acciones se han emprendido y qué condiciones se han establecido para facilitar la realización de grandes proyectos? ¿Qué alianzas son necesarias? ¿Qué avances tecnológicos o procesos de construcción se han desarrollado? ¿Qué escala de desarrollo del sector es la más adecuada (industrial, semiindustrial, artesanal, etc.)? ¿No convendría sistematizar los enfoques estratégicos: investigación complementaria, formación, experimentación, apoyo, etc.? </div><div style="text-align: justify;"><b>THEMES</b></div><div style="text-align: justify;">En respuesta a estas preguntas, Terra Education IV le invita a participar en los 7 temas siguientes:</div><div style="text-align: justify;">1. Conservación, rehabilitación y adaptación del patrimonio</div><div style="text-align: justify;">2. Ingeniería inversa de las Culturas Constructivas Locales</div><div style="text-align: justify;">3. Formación (plan de estudios, certificación profesional, arraigo local, etc.)</div><div style="text-align: justify;">4. Asociaciones y multidisciplinariedad</div><div style="text-align: justify;">5. Sectores productivos (innovación, producción, investigación tecnológica)</div><div style="text-align: justify;">6. Caracterización - Normalización</div><div style="text-align: justify;">7 Enfoques estratégicos: más allá del proyecto arquitectónico, el proyecto de desarrollo</div><div style="text-align: justify;">Fecha límite para la presentación de resúmenes: 26 de noviembre de 2023</div><div style="text-align: justify;"><a href="https://terraeducation4.sciencesconf.org/resource/page/id/1">Para descargar la convocatoria de resúmenes</a></div><div style="text-align: justify;">Encontrará más información sobre el envío de resúmenes y la conferencia en la página web de la conferencia: <a href="https://terraeducation4.sciencesconf.org/">https://terraeducation4.sciencesconf.org/</a></div><div style="text-align: justify;">Terra Education IV es el cuarto evento de este tipo, organizado bajo los auspicios de la Cátedra UNESCO "Arquitectura de Tierra, Culturas Constructivas y Desarrollo Sostenible" y con motivo del 40 aniversario de la creación del postgrado en arquitectura de tierra.</div><div style="text-align: justify;"><a href="mailto:terraeducation4@sciencesconf.org">terraeducation4@sciencesconf.org</a></div></span><br />Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-18852391891815571062023-10-03T15:44:00.000+01:002023-10-03T15:44:07.617+01:00Publicação_Proyecto COREMANS: criterios de intervención en la arquitectura de tierra<div style="text-align: justify;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir_bZNSljx2Lr97dwaK3k_6rJdouc3IH99zQc1_o2ELWUz_f76j9nwazUM7CKAMloWcFhxLddgLSes09gZjxllUMhhDNiuC8DtIQmvnUsRBk7Ob37dx8axMnJ51xZTwWkjvhk745Sv6WhQ6CvwpnX4eIkAz95pt2XZDZYnLBbdExUmwgOjC7kkatf6O_E/s2117/edition-1741.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2117" data-original-width="1497" height="660" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir_bZNSljx2Lr97dwaK3k_6rJdouc3IH99zQc1_o2ELWUz_f76j9nwazUM7CKAMloWcFhxLddgLSes09gZjxllUMhhDNiuC8DtIQmvnUsRBk7Ob37dx8axMnJ51xZTwWkjvhk745Sv6WhQ6CvwpnX4eIkAz95pt2XZDZYnLBbdExUmwgOjC7kkatf6O_E/w467-h660/edition-1741.jpg" width="467" /></a></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><br /></div>Proyecto COREMANS: criterios de intervención en la arquitectura de tierra</span></div><span style="font-family: arial;"><br /><div style="text-align: justify;">El proyecto Coremans es una iniciativa del IPCE, desarrollada en estrecha colaboración con profesionales e instituciones de todo el país, dedicados a la investigación y preservación del patrimonio cultural. Su objetivo es elaborar y difundir documentos que sirvan de referencia para los tratamientos de conservación y restauración de bienes culturales, de acuerdo con sus singulares características materiales y constitutivas. </div></span><div><div style="text-align: justify;"><span style="font-family: arial;">Criterios de intervención en la arquitectura de tierra constituye el cuarto documento de esta serie Coremans, este nuevo texto enriquece la colección aportando una nueva perspectiva relativa a un conjunto patrimonial caracterizado por su gran diversidad y la abundancia de elementos conservados.</span></div><span style="font-family: arial;"><div style="text-align: justify;">PRIMER PREMIO TERRA IBÉRICA 2023 en la categoria de “Innovación e Divulgación” por el manual 'Criterios de intervención en la arquitectura de tierra', coordinado por Camilla Mileto y Fernando Vegas López‐Manzanares. </div><div style="text-align: justify;">Se trata de un manual enmarcado en el Proyecto Coremans, impulsado por el Instituto de Patrimonio Cultural de España (IPCE) del Ministerio de Educación, Cultura y Deporte con el objetivo de crear líneas guía de referencia para las intervenciones de restauración que se lleven a cabo en el patrimonio construido. </div><div style="text-align: justify;">En este manual ha participado autores y expertos nacionales e internacionales en el tema.</div><div style="text-align: justify;">Se puede descargar gratuitamente en:</div></span></div><span style="font-family: arial;"><div style="text-align: justify;"><a href="https://www.libreria.culturaydeporte.gob.es/libro/proyecto-coremans-criterios-de-intervencion-en-la-arquitectura-de-tierra-the-coremans-project-intervention-criteria-for-earthen-architecture_5337/">https://www.libreria.culturaydeporte.gob.es/libro/proyecto-coremans-criterios-de-intervencion-en-la-arquitectura-de-tierra-the-coremans-project-intervention-criteria-for-earthen-architecture_5337/</a></div></span>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-21633633599446571292023-09-28T09:59:00.006+01:002023-10-03T12:41:39.851+01:00Future Materials Conference_Budapest Hungary_2023<p></p><div class="separator" style="clear: both; text-align: center;"><a href=" https://www.youtube.com/watch?v=rgv31wuQ3YU" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="757" data-original-width="1539" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiwxCBWTHJu2ijAU-JekSryRWgMpFtTDYHTWjwZBdWATwaep7usrtMvset_bCK19XiqR_Pcw-AmxvNZ2yhrfhRSra0xUtFsouD0kiGmLEG-EDfK-poVsZBCubQVFVvXPagokrGdgel6tVZSyP7z0RdZeYLY3N0xH6MmJHvmw5O2S432hPzL-PqRHKjkqs/w471-h231/MOME.png" width="471" /></a></div><br /><p></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><div class="fmc-big-logo" style="-webkit-font-smoothing: antialiased; background-color: #ffcd1c; box-sizing: border-box; font-family: Fellix, Helvetica, Arial, sans-serif; margin-bottom: 2em;"><h1 style="-webkit-font-smoothing: antialiased; box-sizing: border-box; font-size: 3.2em; line-height: 0.9em; margin-bottom: 0px; margin-top: 1rem; transform: translateX(-4px);"><span style="-webkit-font-smoothing: antialiased; box-sizing: border-box; display: inline-block;"> Future</span><br style="-webkit-font-smoothing: antialiased; box-sizing: border-box;" /><span style="-webkit-font-smoothing: antialiased; box-sizing: border-box; display: inline-block;"> Materials</span><br style="-webkit-font-smoothing: antialiased; box-sizing: border-box;" /><span style="-webkit-font-smoothing: antialiased; box-sizing: border-box; display: inline-block;"> Conference</span></h1><h3 style="-webkit-font-smoothing: antialiased; box-sizing: border-box; line-height: 0.9em; margin-bottom: 0px; margin-top: 1rem; text-align: left; transform: translateX(-4px);"><span style="font-size: medium;"><b style="-webkit-font-smoothing: antialiased; box-sizing: border-box;"> 28-29 September 2023<br /></b> Moholy-Nagy University of Art and Design, Budapest</span></h3><div><span style="font-size: medium;"><br /></span></div></div><p><a href="https://futurematerials.mome.hu/"><span style="font-family: arial;">https://futurematerials.mome.hu/</span></a></p><p><a href="https://www.youtube.com/watch?v=rgv31wuQ3YU" target="_blank"><span style="font-family: arial;">Watch keynotes & lectures of the architecture and textile tracks</span></a></p><p><br /></p>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-9221758332254655772023-09-22T12:51:00.000+01:002023-09-22T12:51:17.755+01:008 logements sociaux et un commerce_Dechelette Architecture_Boulogne Billancourt_France<p></p><div class="separator" style="clear: both; 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text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNS6R530aBM_XRZfblyBpi0WTuPL6XLILYT5t_NGL8NGVCxTOBSq7CmnsndISaquDB24qYneRTuwrS48lVMzHr_qwUWCMD_PxHweAwgRhUf-2QInzqpKLFGKh78428A0J6xG18PPAkqL-dIAGXAULvWRSfxMhdLoCv42g2xH2BY2kSJq4VAvBVkFzPFfw/s824/378133162_277002711812189_205213871002463568_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="820" data-original-width="824" height="449" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNS6R530aBM_XRZfblyBpi0WTuPL6XLILYT5t_NGL8NGVCxTOBSq7CmnsndISaquDB24qYneRTuwrS48lVMzHr_qwUWCMD_PxHweAwgRhUf-2QInzqpKLFGKh78428A0J6xG18PPAkqL-dIAGXAULvWRSfxMhdLoCv42g2xH2BY2kSJq4VAvBVkFzPFfw/w452-h449/378133162_277002711812189_205213871002463568_n.jpg" width="452" /></a></div><br /><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEmCsGbNyPvjf_5Bz4dV9RNZxeqglGbO9i3CGYe_hUcNHyssrAKkiJhXaXvYUdXNZUDgBaEmMMzjXj5BiVfWkG5j6ki704DuWyPxgNxuhQHnwuUA0361wdirxe890SMW0Qho0NpK7M1zL96FkOKhvLQ-PX508Jc1ZhG_DsYFNVzwz7jWImlhE8MfvgrbQ/s1431/2305_Boulogne_07.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1431" data-original-width="951" height="682" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEmCsGbNyPvjf_5Bz4dV9RNZxeqglGbO9i3CGYe_hUcNHyssrAKkiJhXaXvYUdXNZUDgBaEmMMzjXj5BiVfWkG5j6ki704DuWyPxgNxuhQHnwuUA0361wdirxe890SMW0Qho0NpK7M1zL96FkOKhvLQ-PX508Jc1ZhG_DsYFNVzwz7jWImlhE8MfvgrbQ/w453-h682/2305_Boulogne_07.jpg" width="453" /></a></div><div class="separator" style="clear: both; text-align: left;"><span style="font-family: arial;">@dechelette.architecture</span></div><div><span style="font-family: arial;">@salem.mostefaoui<br />@terrio_cie<br />@stmlbtp<br />@philippedart</span><br /></div>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-23280414792783347742023-09-22T12:38:00.000+01:002023-09-22T12:38:00.119+01:00More_Bamboo Hostels_Longquan_Baoxi_China<p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWgVE7iwRJLPv1h8Jqkp2fWUJRVVLosQEBMCcorXoOHUG81XGqQaIUGEUwhv7C16Yfvfsm_bXFIQ-_SNc-9Z1hygbYLopPjAf4_H5_Cd8zaDLVjbuMEeW4o0z_XdEr3bdP1kenS8eyWSFHVJMpVYGWHrlYhMfkFwCIyFFLrjAi6zrRBZBVNqH3PS0c/s5000/av_15392%C2%A9%20Julien%20Lanoo.jpeg" style="clear: left; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhigOlNjgdIP2ON8X73LAnFXKTCQvMncoPZRYDTkNUNHFxcIM0OH0ojiADWfVxknQdcSy4kMNGNUqjhZjA51U3K3Be9k9C08B5guWIf6f2Ud2GbzNkKU8o9sOOVIHE1_4VzIgTwF_LgXdGoh2U6uHakZlXLL0xGGS-NW6CrvdEAh6QV1re5h50Kih-k/s1280/Anna-Heringer-Bamboo-Hostel-Youth-Hostel-Male-Section-1280x905.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="905" data-original-width="1280" height="324" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhigOlNjgdIP2ON8X73LAnFXKTCQvMncoPZRYDTkNUNHFxcIM0OH0ojiADWfVxknQdcSy4kMNGNUqjhZjA51U3K3Be9k9C08B5guWIf6f2Ud2GbzNkKU8o9sOOVIHE1_4VzIgTwF_LgXdGoh2U6uHakZlXLL0xGGS-NW6CrvdEAh6QV1re5h50Kih-k/w459-h324/Anna-Heringer-Bamboo-Hostel-Youth-Hostel-Male-Section-1280x905.jpg" width="459" /></a></div><br /><p></p>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-65802939504028476262023-09-21T18:39:00.005+01:002023-09-21T18:40:36.514+01:00FF – Distance Edition: Rael San Fratello<p></p><div class="separator" style="clear: both; text-align: left;"><iframe allowfullscreen="" class="BLOG_video_class" height="388" src="https://www.youtube.com/embed/iyxOjBsNhLE" width="468" youtube-src-id="iyxOjBsNhLE"></iframe></div><div style="text-align: justify;"><span style="font-family: arial;">Link to Youtube <a href="https://youtu.be/iyxOjBsNhLE?si=NAJR8dpuz3yIKFMX" target="_blank">Here</a> https://youtu.be/iyxOjBsNhLE?si=NAJR8dpuz3yIKFMX</span></div><div style="text-align: justify;"><span style="font-family: arial;">The Architectural League’s monthly First Friday events are informal social gatherings that allow members to visit the offices of leading design practices and see work in progress. On 2020 November 5, the League paid a visit to rural Colorado to learn about Rael San Fratello’s Casa Covida, a 3D-printed house made of mud taken from the site. </span></div><div style="text-align: justify;"><span style="font-family: arial;">Partners Ronald Rael and Virginia San Fratello gave a tour of the project and discussed its relation to their wider body of work, including their long exploration of earthen architecture.</span></div><div style="text-align: justify;"><span style="font-family: arial;">They also guided viewers through their workshop, explaining how experiments with small-scale 3D-printed pottery contributed to the house’s development. </span></div><div style="text-align: justify;"><span style="font-family: arial;">The presentation is followed by a Q+A moderated by Christina De León, associate curator of Latino Design at the Cooper Hewitt, Smithsonian Design Museum.</span></div><div><br /></div>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-26479122514152986362023-09-21T18:18:00.004+01:002023-09-21T18:27:50.778+01:00LWL Open-Air Museum_ ACMSarchitekten_Detmold_Alemanha<p></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEq2YjO6JQWxMmLpdEjpQNCt0W2uNpF0RTOZ2EV-1aMhG555-CbWPT7H1AtT5baSnh5hz8SzBiqgEesfylKNZwqTRZbRL_SgyY1wmFnZGTsaGKrTBKXPq6P6HRA-XY5-cvz2EMi7aU7D-3uOF13tGCQprr1G2U-4AyVLWLoKOksHX5AFVL4eUFjyJuFHs/s1920/7.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="846" data-original-width="1920" height="205" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEq2YjO6JQWxMmLpdEjpQNCt0W2uNpF0RTOZ2EV-1aMhG555-CbWPT7H1AtT5baSnh5hz8SzBiqgEesfylKNZwqTRZbRL_SgyY1wmFnZGTsaGKrTBKXPq6P6HRA-XY5-cvz2EMi7aU7D-3uOF13tGCQprr1G2U-4AyVLWLoKOksHX5AFVL4eUFjyJuFHs/w467-h205/7.jpg" width="467" /></a></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP6C8wgEotKRlc2Oy1JUlkfAIQOuglNoHhwKxxXOaSSWdXcuAoeCDNarhoaw983hedGk9NKfQ7vrhFiTkoy-syPfc6lRL1kZbn0o-rpyZX7es_qf2xPMTJ1s8KEbgnCCM1JDnMqstnlIexbhZaVhorRFj1uC1et8nmde0fsi9vDQCi4g5a3UOI3HBfB1M/s2000/csm_Fassadendetail_cbcb3dcbc6.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2000" data-original-width="2000" height="469" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP6C8wgEotKRlc2Oy1JUlkfAIQOuglNoHhwKxxXOaSSWdXcuAoeCDNarhoaw983hedGk9NKfQ7vrhFiTkoy-syPfc6lRL1kZbn0o-rpyZX7es_qf2xPMTJ1s8KEbgnCCM1JDnMqstnlIexbhZaVhorRFj1uC1et8nmde0fsi9vDQCi4g5a3UOI3HBfB1M/w469-h469/csm_Fassadendetail_cbcb3dcbc6.jpg" width="469" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEnsRebds1LtAs3MKpQskUG9wNHy3JQTJClxZOrLT2GarLEzEUqAqskntGbJF2rljbeHjKiOmIrW30DCwS47jlFw1-vEqON9Ab_EkJiM7Kp-PPfsl7VnI1LkBI902TIwJ2Mrrfq8qkQJy3X7jjfrxgh5ujHenLIcym8GTJpJY3sWLdLaFLqufd0e9OFQ8/s2000/csm_Detmold-gross-Website_fbbbb131bd.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1335" data-original-width="2000" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEnsRebds1LtAs3MKpQskUG9wNHy3JQTJClxZOrLT2GarLEzEUqAqskntGbJF2rljbeHjKiOmIrW30DCwS47jlFw1-vEqON9Ab_EkJiM7Kp-PPfsl7VnI1LkBI902TIwJ2Mrrfq8qkQJy3X7jjfrxgh5ujHenLIcym8GTJpJY3sWLdLaFLqufd0e9OFQ8/w469-h313/csm_Detmold-gross-Website_fbbbb131bd.jpg" width="469" /></a></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;">O museu ao ar livre <b>LWL Detmold</b>, localizado em Detmold, na região de North Rhine-Westphalia, no sopé da Floresta de Teutoburg, será o maior museu ao ar livre da Alemanha. </div><div style="font-family: arial; text-align: justify;">Cobrindo cerca de 90 hectares e com cerca de 120 edifícios históricos, fornece informações sobre o desenvolvimento e a mudança na história cultural da Westphalia. Com mais de 200.000 visitantes por ano, é o museu mais visitado do OWL.</div><div style="font-family: arial; text-align: justify;">A Associação Regional Westphalia-Lippe está a construir uma nova entrada e edifício de exposições para o museu ao ar livre LWL em Detmold. A principal função do novo edifício do museu é a comunicação didática da construção de conexões ecológicas no contexto histórico de um museu ao ar livre. O edifício será ao mesmo tempo uma exposição de objetos históricos e tangíveis para uma cultura de construção ecológica e inovadora.</div><div style="font-family: arial; text-align: justify;">O novo edifício terá uma área bruta de cerca de 5.000 metros quadrados, e exposições especiais de alto nível serão exibidas em cerca de 900 metros quadrados.</div><div style="font-family: arial; text-align: justify;">Com o novo edifício do museu ao ar livre LWL, está a ser desenvolvida uma nova geração de edifícios de museu neutros em CO 2 . Devido à sua função, os museus são frequentemente intensivos em recursos e emissões, e tem havido pouca atenção ao aproveitamento do potencial energético na construção e operação de museus.</div><div style="font-family: arial; text-align: justify;">O novo edifício em Detmold é um dos primeiros edifícios de museu com um conceito holístico e sustentável. A utilização circular de matérias-primas renováveis ou recicladas como madeira, palha e terra/argila, bem como uma estrutura e construção inteligente do edifício serão optimizadas de forma a que o suporte técnico possa ser minimizado sem restringir os padrões climáticos e de conservação. As necessidades energéticas são cobertas localmente através de fontes renováveis.</div><div style="font-family: arial; text-align: justify;">Com a compactação de 760 m2 de terra compactada in situ e produção de 430 m2 de elementos pré-fabricados no local, o novo edifício de entrada e exposições do LWL Open-Air Museum será assim, o maior museu ao ar livre da Alemanha!</div><div style="font-family: arial; text-align: justify;">Projetado pelo gabinete ACMSarchitekten, o novo edifício será um projeto emblemático de construção sustentável com o objetivo de estabelecer um alto padrão para os edifícios públicos no país. O objetivo é atingir o mais alto nível de classificação da DGNB com um certificado de platina.</div><div style="font-family: arial; text-align: justify;">Através de uma longa e completa fase de desenvolvimento, o novo museu pretende mudar a realidade de emissões atual, concentrando-se na circularidade e no baixo consumo de energia primária nos seus materiais, utilizando taipa estrutural de origem local e vigas de madeira maciça sem colas e/ou aço.</div><div style="font-family: arial; text-align: justify;">Ele reflete a cultura de construção do local da região de Westphalia, demonstrando as vantagens sustentáveis de processos de construção semelhantes que fizeram as tradicionais casas de madeira e terra locais.</div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCrOvmW-mKBFdmM1cFas5ZLFmzZz_JwHOZFINZ0DPmB1Md5AKSgexogds4XpsPNVljQ42e2fJpaq51I3K5D7zinnqMZJ_nwADJQ5Lf82j5kb6yplwEJI10035q687_fHGoPYZ56z9C6VdyO__KUw20HmtE1tybXP5YWAJewyT_cB_50OuLMBwZeyDb8-I/s831/6.jpg" style="clear: left; 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text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div><div style="font-family: arial; text-align: justify;"><br /></div></div>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-15449661019805735862023-05-08T19:17:00.000+01:002023-05-08T19:17:19.846+01:00Seminário Internacional: Que futuro para a Arquitetura Vernácula e Arquitetura de Terra?_Porto_15-16 Junho 2023_ VERSUS+ | Heritage for People<div class="x1e56ztr" data-block="true" data-editor="1ige7" data-offset-key="7f1o7-0-0" style="margin-bottom: 8px;"><div class="_1mf _1mj" data-offset-key="7f1o7-0-0" style="direction: ltr; position: relative;"><div class="separator" style="background-color: white; clear: both; color: #050505; font-family: inherit; font-size: 15px; text-align: center; white-space: pre-wrap;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPAT5IiWZCCV8eer7n4KyF1d2fasxq58tutj7QVVlbiH5kgEmqOZESaaUehaGJjFB-hjQ_SoCvWTj1UL9Xs6gxiwvsnRXAQ9vsbm1zin6VA6Rdb4EbxvufbePcofyv40rpSX2E96ZYJ-2i-LwVUAK8eAQgNxPraWPtstbmPC6FDBcs1A4mIMxsjt39/s1191/IS%202023.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1191" data-original-width="1191" height="492" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPAT5IiWZCCV8eer7n4KyF1d2fasxq58tutj7QVVlbiH5kgEmqOZESaaUehaGJjFB-hjQ_SoCvWTj1UL9Xs6gxiwvsnRXAQ9vsbm1zin6VA6Rdb4EbxvufbePcofyv40rpSX2E96ZYJ-2i-LwVUAK8eAQgNxPraWPtstbmPC6FDBcs1A4mIMxsjt39/w492-h492/IS%202023.jpg" width="492" /></a></div><br /><b><span style="font-family: arial;">Seminário Internacional: Que futuro para a Arquitetura Vernácula e Arquitetura de Terra?</span></b></div><span style="font-family: arial;"><div style="text-align: justify;">a realizar no Porto nos dias 15 e 16 de Junho de 2023, no âmbito do projecto VERSUS+ | Heritage for People</div><div style="text-align: justify;">Nos últimos anos, a arquitetura vernácula e a arquitetura de terra têm enfrentado múltiplos desafios em todo o mundo, os quais ameaçam sua sobrevivência.</div><div style="text-align: justify;">Em várias regiões, o conhecimento intangível está a desaparecer rapidamente, em parte devido ao facto de haver menos pessoas a manterem viva a cultura construtiva e seu know-how.</div><div style="text-align: justify;">Para discutir o futuro da arquitetura vernácula e da arquitetura de terra, convidamos profissionais e investigadores interessados, a reunirem-se no Porto, nos dias 15 e 16 de junho de 2023.</div><div style="text-align: justify;">O evento será estruturado em três sessões com debates e uma mesa-redonda. O Seminário Internacional de Arquitetura Vernácula e Arquitetura de Terra será dedicado à documentação vernácula, ao Património Mundial, ao conhecimento intangível, à transferência de conhecimento, à ação climática, à adaptação; e uma mesa redonda final, com contribuições das participantes. O objetivo principal da mesa-redonda será definir caminhos a seguir, para manter viva a arquitetura vernácula e a arquitetura de terra.</div><div style="text-align: justify;">Uma publicação, com os artigos dos palestrantes e as notas da mesa-redonda, será publicada em 2023.</div><div style="text-align: justify;"><br /></div></span></div><div class="x1e56ztr" data-block="true" data-editor="1ige7" data-offset-key="7f1o7-0-0" style="margin-bottom: 8px;"><div style="text-align: justify;"><span style="font-family: arial;"><b>Seminário Internacional & Mesa Redonda sobre:</b></span></div><span style="font-family: arial;"><div style="text-align: justify;">Que futuro para a arquitetura vernácula e a arquitetura de terra?</div><div style="text-align: justify;"><b>Sessão 1:</b> Preservar o Passado</div><div style="text-align: justify;">Documentação vernácula e Património Mundial</div><div style="text-align: justify;"><b>Sessão 2:</b> Valorizar o Presente</div><div style="text-align: justify;">Conhecimento intangível e transferência de conhecimento</div><div style="text-align: justify;"><b>Sessão 3: </b>Preparar-se para o Futuro</div><div style="text-align: justify;">Ação climática e adaptação</div><div style="text-align: justify;">Mesa-Redonda: Que futuro para a arquitetura vernácula e a arquitetura de terra?</div><div style="text-align: justify;"><b>Organização:</b></div><div style="text-align: justify;">DAMG-UPT | Departamento de Arquitetura & Multimedia Gallaecia da Universidade Portucalense.</div><div style="text-align: justify;">CIAUD-UPT | Pólo do Centro de Investigação em Arquitetura, Urbanismo & Design, na Universidade Portucalense.</div><div style="text-align: justify;">ICOMOS-Portugal</div></span><span style="font-family: arial;"><div style="text-align: justify;"><b>Enquadramento:</b></div></span></div><div class="x1e56ztr" data-block="true" data-editor="1ige7" data-offset-key="7f1o7-0-0" style="margin-bottom: 8px;"><div style="text-align: justify;"><span style="font-family: arial;">VERSUS+ | Património para as pessoas</span></div><span style="font-family: arial;"><div style="text-align: justify;">Cátedra UNESCO em arquitetura de terra, culturas construtivas, & desenvolvimento sustentável.</div><div style="text-align: justify;"><b>Parceria:</b></div><div style="text-align: justify;">UPV, Spain; UNIFI, Italy; UNICA, Italy; CRAterre-ENSAG, France.</div><div style="text-align: justify;"><b>Informação importante:</b></div><div style="text-align: justify;">- Os interessados devem enviar email para: <a href="mailto:ciaud-upt@upt.pt">ciaud-upt@upt.pt</a> (até: 15 de maio).</div><div style="text-align: justify;">- O e-mail deve incluir: título da sessão; título do artigo; autores; afiliação (instituição e país) e resumo curto (máx. 200 palavras).</div><div style="text-align: justify;">- Os organizadores responderão: nos três dias seguintes, a informar sobre a aceitação (ou não) do resumo.</div><div style="text-align: justify;">- Se o resumo for aceite: os palestrantes apresentarão a sua comunicação, no Porto, nos dias 15 e 16 de junho.</div><div style="text-align: justify;">- Os palestrantes devem enviar: um artigo de 4 a 6 páginas até 7 de julho de 2023. Mais instruções serão enviadas após a aceitação do resumo. O artigo será publicado após o Seminário Internacional.</div><div style="text-align: justify;">- Idioma da comunicação e artigo: inglês.</div><div style="text-align: justify;">Vários especialistas já confirmaram a sua participação, pelo que todos os potencias palestrantes, interessados em participar, deverão enviar um resumo, o mais breve possível.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b>in English</b></div><div style="text-align: justify;">On the last years, vernacular architecture and earthen architecture have faced multiple challenges worldwide, which have threaten their survival. In several regions, intangible knowledge is disappearing fast, in part due to the fact there is less people keeping the building culture and its know-how alive.</div><div style="text-align: justify;">To discuss the future of vernacular architecture and earthen architecture, we are inviting interested professionals and researchers to meet in Porto, on June 15 & 16, 2023.</div><div style="text-align: justify;">The event will be structured in three sessions with debates and a round-table. The International Seminar on Vernacular and Earthen Architecture will be dedicated to vernacular documentation, World Heritage, intangible knowledge, knowledge transfer, climate action, adaptation, and a final round-table discussion with input from participations. The key-purpose of the round-table will be to establish ways forward, on how to keep vernacular and earthen architecture alive.</div><div style="text-align: justify;">A publication with the paper’s proceedings, and the round-table notes, will be published in 2023.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b>International Seminar & Round-Table on:</b></div><div style="text-align: justify;">Which future for vernacular architecture & earthen architecture?</div><div style="text-align: justify;"><b>Session 1: </b>Preserving the Past</div><div style="text-align: justify;">Vernacular documentation & World Heritage</div><div style="text-align: justify;"><b>Session 2: </b>Valuing the Present</div><div style="text-align: justify;">Intangible knowledge & knowledge transfer</div><div style="text-align: justify;"><b>Session 3:</b> Preparing for the Future</div><div style="text-align: justify;">Climate action & adaptation</div><div style="text-align: justify;">Round-Table: Which future for vernacular architecture & earthen architecture?</div><div style="text-align: justify;"><b>Organisation:</b></div><div style="text-align: justify;">DAMG-UPT | Department of Architecture & Multimedia Gallaecia at Portucalense University</div><div style="text-align: justify;">CIAUD-UPT | Research Centre in Architecture, Urbanism & Design at Portucalense University</div><div style="text-align: justify;">ICOMOS-Portugal</div><div style="text-align: justify;"><b>Framework:</b></div><div style="text-align: justify;">VERSUS+ | Heritage for People</div><div style="text-align: justify;">UNESCO Chair on earthen architecture, building cultures, & sustainable development.</div><div style="text-align: justify;"><b>Partnership:</b></div><div style="text-align: justify;">UPV, Spain; UNIFI, Italy; UNICA, Italy; CRAterre-ENSAG, France.</div><div style="text-align: justify;"><b>Important information:</b></div><div style="text-align: justify;">- Interested speakers should send an email to: <a href="mailto:ciaud-upt@upt.pt">ciaud-upt@upt.pt</a> (no later than: May 15).</div><div style="text-align: justify;">- The email should include: session title; paper title; authors; affiliation (institution, & country), and short abstract (max. 200 words).</div><div style="text-align: justify;">- Organisers will respond: in the following three days, informing about the acceptance (or not) of the abstract.</div><div style="text-align: justify;">- If the abstract is accepted: speakers will present their communication in Porto, on June 15 & 16.</div><div style="text-align: justify;">- Speakers should submit: A 4 to 6 page paper should be send by July 7, 2023. Further instructions will be sent, following the acceptance of the abstract. The paper will be published in the Seminar proceedings following the event.</div><div style="text-align: justify;">- Paper presentation and publication: Will be in English.</div><div style="text-align: justify;">Several experts already confirmed their participation, so all the interested speakers should send an abstract, as soon as possible.</div></span></div>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-77961529067089173862023-05-08T18:48:00.003+01:002023-05-08T18:48:58.328+01:00Construção em Terra, o Adobe de Aveiro_Ana Velosa<div style="text-align: justify;"><div class="separator" style="clear: both; font-family: arial; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNN26PFJuVf_nejmjTMk-SQic2Ssb0mWKD5r2Uj0HBsVVVDpkil6bEKxYoyaEDXuoz6QMP-Nj1elxP8vI33uFG4Wc8Et-wKJeyCxJf0MQGh2o60ZECi44iQKzFgBaTZnblC5E8HUiomUVJqnc0t9-gd3pclWF7V_z5Z6tBARl5uGZUKWmhlWoVyXmv/s650/casas-e1682197220642.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="471" data-original-width="650" height="332" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNN26PFJuVf_nejmjTMk-SQic2Ssb0mWKD5r2Uj0HBsVVVDpkil6bEKxYoyaEDXuoz6QMP-Nj1elxP8vI33uFG4Wc8Et-wKJeyCxJf0MQGh2o60ZECi44iQKzFgBaTZnblC5E8HUiomUVJqnc0t9-gd3pclWF7V_z5Z6tBARl5uGZUKWmhlWoVyXmv/w459-h332/casas-e1682197220642.png" width="459" /></a></div><br /><b><span style="font-family: arial;"><br /></span></b></div><div style="text-align: justify;"><b><span style="font-family: arial;"><br /></span></b></div><div style="text-align: justify;"><b><span style="font-family: arial;"><br /></span></b></div><div style="text-align: justify;"><b><span style="font-family: arial;"><br /></span></b></div><div style="text-align: justify;"><b><span style="font-family: arial;"><br /></span></b></div><div style="text-align: justify;"><b><span style="font-family: arial;"><br /></span></b></div><div style="text-align: justify;"><b><span style="font-family: arial;"><br /></span></b></div><div style="text-align: justify;"><b><span style="font-family: arial;"><br /></span></b></div><div style="text-align: justify;"><b><span style="font-family: arial;"><br /></span></b></div><div style="text-align: justify;"><b><span style="font-family: arial;"><br /></span></b></div><div style="text-align: justify;"><b><span style="font-family: arial;"><br /></span></b></div><div style="text-align: justify;"><br /></div><div><b><span style="font-family: arial;">Construção em Terra, o Adobe de Aveiro</span></b></div><div><span style="font-family: arial; font-size: x-small;">22 Abril, 2023</span></div><div style="text-align: justify;"><span style="font-family: arial;">Por Ana Luísa Pinheiro Lomelino Velosa*</span></div><span style="font-family: arial;"><div style="text-align: justify;"><a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.noticiasdeaveiro.pt%2Fconstrucao-em-terra-o-adobe-de-aveiro%2F%3Ffbclid%3DIwAR1DcTE700wdrnRt7CGco12VEatS4lYmP-9frrf6yR3nqIV2vkBHdrudKuk&h=AT3EUtrghSkxXFui2JjgwHF1cTEMYjMC-d-41EwjuctkCLjJSA8osJ0AmQpFuP932c3W090xZMfUa4qAOHoRuaHp4BaHtk6FuXYSHNq5IBTQb2LCZZN_pfoTGuOkIepUCh_jEQDkTU3fi5zJ4g&__tn__=-UK-R&c[0]=AT31MT1Wmate58rAZUsPpTDVMf4XsYxZgvHwkm1-HKxExrb-vFqRRqhbSV8fj9fDu-eDoD3cQRj3FoZj1hPqijsBt3tDQk1j4XGCnN1hGccxcaRBz6IfL5zLUXv-ti3UETCJSKGIvqm15iTJnQnOrwSOYiqQ6xfzk2AMJuY">https://www.noticiasdeaveiro.pt/construcao-em-terra-o.../</a></div><div style="text-align: justify;">Sendo a terra um material de construção usado desde tempos ancestrais, devido à sua disponibilidade e facilidade de utilização, continua a ser utilizada na atualidade na execução de materiais de construção com uma forte componente ecológica.</div><div style="text-align: justify;">A terra crua, sem recurso à utilização de processos de cozedura, é um material acessível que foi amplamente utilizado através dos séculos em obras emblemáticas tais como a Muralha da China, o Alhambra de Granada, a cidadela de Chan Chan, no Peru, ou a cidade antiga de Shibam, no Iémen, todas classificadas como património mundial pela UNESCO.</div><div style="text-align: justify;">O uso da terra como material de construção compreende uma elevada versatilidade, sendo aplicável em várias técnicas construtivas para a execução de paredes. Embora as técnicas de construção em terra estejam muitas vezes associadas à arquitetura vernácula, é indubitável a sua utilização lata por diversos tipos de edifícios, englobando muralhas, estruturas monumentais e edifícios urbanos e rurais. De entre os vários tipos de construção em terra, destacam-se as paredes executadas com blocos de adobe, em taipa ou paredes de tabique, todas elas com ampla utilização em Portugal.</div><div style="text-align: justify;">Aveiro situa-se numa zona onde não abunda a pedra e sendo prática o recurso da construção tradicional a materiais locais, até há algumas décadas atrás, o adobe foi o material de eleição para construções rurais e urbanas. Na região de Aveiro, a construção em alvenaria resistente de adobe teve grande relevância nos finais do séc. XIX, e primeira metade do séc. XX, decrescendo o seu uso até aos anos sessenta do século XX. O adobe de Aveiro é conhecido como “adobe de cal” devido à especificidade da sua composição, com base em agregados provenientes de areeiros locais e cal aérea. Foi empregue numa zona mais vasta que abrange a Murtosa, a norte, e a zona de Mira, a sul. Produzido por adobeiros, que garantiam uma produção em série e marcavam os seus adobes, tinha também uma componente de produção própria associada a fenómenos de auto-construção. No entanto, na proximidade de Aveiro, devido à presença de matérias-primas distintas, também foram executados adobes com lodo e fibras, com especial relevância na zona de Fermentelos, na vizinhança da Pateira de onde eram extraídos estes materiais.</div><div style="text-align: justify;">Sendo os adobes de Aveiro, adobes de cal, seria sempre empregue cal aérea para a sua estabilização. Embora existam relatos da utilização de cal dolomítica, ou “cal churra” como era designada e isso fosse possível devido à proximidade de produção de cal com estas características, análise efetuadas ao adobe revelam preponderantemente o uso de cal cálcica. Também, devido à especificidade de serem “adobes de cal”, era empregue uma quantidade de cal viva significativa que se estima em 1 volume de cal viva para 3 ou 4 volumes de terra. A prática tradicional pressupunha o apagamento da cal juntamente com a terra, permitindo que a reação exotérmica se desse já com a mistura e eventualmente gerando uma maior coesão entre os materiais empregues. Esta necessidade de estabilização é adicionalmente motivada pelo facto de que a terra empregue para manufatura de adobes na região de Aveiro era extremamente arenosa e continha uma baixa fração argilosa.</div><div style="text-align: justify;">A produção desenrolava-se entre os meses de maio e setembro e os adobes eram guardados durante um ano antes de se proceder à sua utilização. Este procedimento é fundamental em adobes de cal, pois permite a carbonatação do ligante e o endurecimento dos blocos com vista ao seu manuseamento e uso.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">* Professora Associada com Agregação no Departamento de Engenharia Civil (DECivil) da Universidade de Aveiro.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Artigo publicado originalmente no site <a href="https://www.ua.pt/pt/noticias/13/80675">UA.pt.</a> para assinalar o Dia Mundial da Terra e republicado em <a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.noticiasdeaveiro.pt%2Fconstrucao-em-terra-o-adobe-de-aveiro%2F%3Ffbclid%3DIwAR1DcTE700wdrnRt7CGco12VEatS4lYmP-9frrf6yR3nqIV2vkBHdrudKuk&h=AT3EUtrghSkxXFui2JjgwHF1cTEMYjMC-d-41EwjuctkCLjJSA8osJ0AmQpFuP932c3W090xZMfUa4qAOHoRuaHp4BaHtk6FuXYSHNq5IBTQb2LCZZN_pfoTGuOkIepUCh_jEQDkTU3fi5zJ4g&__tn__=-UK-R&c[0]=AT31MT1Wmate58rAZUsPpTDVMf4XsYxZgvHwkm1-HKxExrb-vFqRRqhbSV8fj9fDu-eDoD3cQRj3FoZj1hPqijsBt3tDQk1j4XGCnN1hGccxcaRBz6IfL5zLUXv-ti3UETCJSKGIvqm15iTJnQnOrwSOYiqQ6xfzk2AMJuY">https://www.noticiasdeaveiro.pt/construcao-em-terra-o.../</a></div></span>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-69642080924546639972023-05-05T10:31:00.000+01:002023-05-05T10:31:09.584+01:00Rammed Earth & Wood Embrace the Sky in This Modern Cafe_Kimberley Mok<span style="font-family: arial;">Rammed Earth & Wood Embrace the Sky in This Modern Cafe</span><div><span style="font-family: arial;">By Kimberley Mok<br /></span><div><div><span style="font-family: arial;"><a href="goog_1496825909"><br /></a></span></div><div><span style="font-family: arial;"><a href="https://www.treehugger.com/rammed-earth-wood-built-oyaki...">https://www.treehugger.com/rammed-earth-wood-built-oyaki...</a></span></div><div><br /></div><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihgU3ChJ4Iu5ZkwZ72Sk5VSRy_E-W0BYWJdjAy6Qfb2Jq_CaPlREbjO6EQ_4GlYt4FmXAqle0JKiLvrHINQY3MivgsygmIYJcJ5HRUEF50Q6HCiwVmmzN4Q45r39dCmIyrt0eL_YikxlGhZsar5v0QNtzDJZQ2HG9Ye7wLyeZDnDG6Zu3ZTQfHiGg4/s750/oyaki-farm-factory-tono-mirai-architects-6-078f64a18d634df9bfdc067daef15529.webp" imageanchor="1" style="clear: left; display: inline !important; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="500" data-original-width="750" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihgU3ChJ4Iu5ZkwZ72Sk5VSRy_E-W0BYWJdjAy6Qfb2Jq_CaPlREbjO6EQ_4GlYt4FmXAqle0JKiLvrHINQY3MivgsygmIYJcJ5HRUEF50Q6HCiwVmmzN4Q45r39dCmIyrt0eL_YikxlGhZsar5v0QNtzDJZQ2HG9Ye7wLyeZDnDG6Zu3ZTQfHiGg4/w400-h266/oyaki-farm-factory-tono-mirai-architects-6-078f64a18d634df9bfdc067daef15529.webp" width="400" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjLn3Dl7g5kUJNYLmHyqt49p1A19vWRhz0rHo6mVJ2s2jiJLkgq_Olt1W5fAToLCCTyIDUCdXPdQmSrwvPQkrrGyy-8WxgLHNvTa5NLGRU60Kgw-Ce_W5ueuwXHJql4kb99GKxkcYzwMarXY2y8J2x-cEJbSHxcC6yA7f_nXaQa88XjqnRdy7ifvHf/s1125/oyaki-farm-factory-tono-mirai-architects-11-4e122edc2edf439389627ae875ab5d2b.webp" imageanchor="1" style="clear: left; font-family: arial; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1125" data-original-width="750" height="603" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjLn3Dl7g5kUJNYLmHyqt49p1A19vWRhz0rHo6mVJ2s2jiJLkgq_Olt1W5fAToLCCTyIDUCdXPdQmSrwvPQkrrGyy-8WxgLHNvTa5NLGRU60Kgw-Ce_W5ueuwXHJql4kb99GKxkcYzwMarXY2y8J2x-cEJbSHxcC6yA7f_nXaQa88XjqnRdy7ifvHf/w401-h603/oyaki-farm-factory-tono-mirai-architects-11-4e122edc2edf439389627ae875ab5d2b.webp" width="401" /></a></div></div></div>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-7354783006653753592023-01-10T15:33:00.029+00:002023-01-10T15:42:15.083+00:00VOCÊS SABIAM QUE...??...Sobre TÉRMICA e BOM ANO DE 2023!!<div style="text-align: justify;"><span style="font-family: arial;"><b>VOCÊS SABIAM QUE...??</b></span></div><div style="text-align: justify;"><div class="separator" style="clear: both;"><img border="0" height="242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPTB33YRz5nMoVswmt1HObKXytue9x4hNpE3Yh5wFHMtXIJcNj2qYwAoDCq7G2SathFI98BjyEvF8-zNXHjJF8svtsmJc2CrOv8MztI3EQYH03PbFZsv3x4YsQtuiDveKeM8PdRsKxrNYQPDfb0CHZgdbAn6JV2bDb8sKfAJCtKcdY6xsqddWR7uUL/w474-h242/CONDUTIVIDADE%20TERMICA_Materiais.jpg" width="474" /></div><div class="separator" style="clear: both;"><span style="font-family: arial;"><span style="font-size: x-small;">Fonte: <a href="https://amaco.org/" target="_blank">AMÀ</a></span></span><span style="font-family: arial; font-size: x-small;"><a href="https://amaco.org/" target="_blank">CO</a> - </span><span style="font-family: arial; font-size: x-small;">ATELIER MATIÈRES À CONSTRUIRE</span></div><div class="separator" style="clear: both;"><span style="font-family: arial;">.</span><span style="font-family: arial;">..O Regulamento sobre Térmica, em vigor e publicado em Junho de 2021 (</span><b style="font-family: arial;"><a href="https://dre.pt/dre/detalhe/portaria/138-i-2021-166296492" target="_blank">Portaria n.º 138-I/2021</a></b><span style="font-family: arial;">), que regulamenta os requisitos mínimos de desempenho energético relativos à envolvente dos edifícios e aos sistemas técnicos e a respetiva aplicação em função do tipo de utilização e específicas características técnicas e o </span><b style="font-family: arial;"><a href="https://dre.pt/dre/detalhe/decreto-lei/101-d-2020-150570704" target="_blank">Decreto-Lei n.º 101-D/2020</a></b><span style="font-family: arial;"> que estabelece os requisitos aplicáveis a edifícios para a melhoria do seu desempenho energético e regula o Sistema de Certificação Energética de Edifícios, transpondo a Diretiva (UE) 2018/844 e parcialmente a Diretiva (UE) 2019/944) inclui uma cláusula de excepção para a construção em taipa (reabilitação ou construção nova) que permite </span><span style="font-family: arial;">atualmente</span><span style="font-family: arial;"> </span><span style="font-family: arial;">um valor máximo de </span><b style="font-family: arial;">U=1.3 </b><span style="font-family: arial;">(W/m²·K)</span><span style="font-family: arial;">!!</span><span style="font-family: arial;">??</span></div></div><div><div style="text-align: justify;"><span style="font-family: arial;">Ou seja, quase duplicou o valor máximo permitido em projecto, sendo que este valor era anteriormente de 0,5 ou 0,7, conforme o seu enquadramento. </span></div><span style="font-family: arial;"><div style="text-align: justify;">O valor <b>U</b>, também conhecido como <b>coeficiente de transferência de calor</b>, é uma medida de ganho ou perda de calor através de um determinado material, devido à diferença entre as temperaturas do ar interior e exterior.</div><div style="text-align: justify;">Expresso em W/m²·K (watt por metro quadrado. Kelvin), o valor <b>U</b> depende da <b>resistência térmica</b> de cada um dos elementos que compõem a superfície (percentagem em que um elemento construtivo se opõe à passagem de calor), e isso obedece especificamente à <b>espessura</b> e <b>condutividade térmica</b> dos materiais através dos quais o calor é transferido, sendo esta ultima a capacidade que cada material possui de conduzir calor.</div><div style="text-align: justify;">O coeficiente geral de transferência de calor é assim influenciado por estes dois dados. Quanto maior for o valor do coeficiente, mais facilmente o calor é transferido da sua fonte para o produto a ser aquecido. Logo, quanto mais baixo for este valor, melhor será o desempenho de isolamento do material. A relação entre o coeficiente de transferência de calor geral (U) e a taxa de transferência de calor (Q) pode ser demonstrada pelas seguintes equações:</div></span></div><div><div style="text-align: justify;"><b style="font-family: arial;">Cálculo da Transmissão Térmica</b></div><span style="font-family: arial;"><div style="text-align: justify;">A fórmula geral para calcular o Valor <b>U</b> é:</div><div style="text-align: justify;"><b>U = 1/Rt</b></div><div style="text-align: justify;">Em que:</div></span></div><div><div style="text-align: justify;"><span style="font-family: arial;">U = Transmissão Térmica (W/m²·K)</span></div><span style="font-family: arial;"><div style="text-align: justify;">Rt = Resistência Térmica Total do elemento composto por camadas (m²·K/W), que se obtém segundo:</div></span><div><div style="text-align: justify;"><b style="font-family: arial;">Rt = Rsi + R1 + R2 + R3 + ... + Rn + Rse</b></div><span style="font-family: arial;"><div style="text-align: justify;">Em que:</div><div style="text-align: justify;">Rsi = Resistência Térmica Superficial Interior (segundo a norma e por zona climática)</div><div style="text-align: justify;">Rse = Resistência Térmica Superficial Exterior (segundo a norma e por zona climática)</div><div style="text-align: justify;">R1, R2, R3, Rn = Resistência Térmica de cada camada, que se obtém segundo:</div></span></div></div><div><div><div style="text-align: justify;"><b style="font-family: arial;"><b>R = e / λ</b></b></div><span style="font-family: arial;"><div style="text-align: justify;">Em que:</div><div style="text-align: justify;">e = Espessura do Material (m)</div><div style="text-align: justify;">λ = Condutividade Térmica do Material (W/K·m) (segundo cada material)</div><div style="text-align: justify;"><b>U = 1/R</b></div><div style="font-weight: bold; text-align: justify;"><b>R = 1/U</b></div><div style="text-align: justify;">Podemos assim perceber que a Transmissão Térmica <b>U</b> é inversamente proporcional à Resistência Térmica <b>R</b> de um material.</div><div style="text-align: justify;"><img border="0" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZq1KLLyxtdxXrFmO2JZklaiXwybdWPkLl6rHhj3BXE44CJKgdhCJhRMXDKoLXOYHDSEmt9gtJInnM1UQ7F9pSbcuCZQly8vBW1AV4R-BL40uq_8C49VcOih5XQmd7Wsw_2RmhN3ZTH6XmLtai_7wx85vz41gr5wcgkzHvgNx45Makcx5j9UqyDXRi/w478-h318/230-scaled-arttheme-standard-thumb-big-2000x1334.jpg" width="478" /></div></span></div><div style="text-align: justify;"><span style="font-size: x-small;"><span style="font-family: arial;">Exemplo protótipo de parede (play-wall) para escola primária_<a href="https://www.subu.gr" target="_blank">SUBU Architects</a>_Grécia</span><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Informação térmica e regulamentar importante para os projectistas nos seus projectos e com verdadeiro impacto nacional no futuro destas construções!</span></div><div style="text-align: justify;"><span style="font-family: arial;">Tenham TODOS um Excelente Ano de 2023! ...Com muita Saúde, Paz e...muitas construções com terra crua!! :)</span></div><p></p></div>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0tag:blogger.com,1999:blog-9143407848552557944.post-80779623141941847882022-12-12T23:39:00.003+00:002022-12-12T23:40:39.454+00:00Centro de Educação Ambiental de Augsburg_Alemanha_2017-2022<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfMFgrYlzTb0AeQO5zMy4xSV58kdLyChJF7aBVBgnuFy7zabJrmfGDCL6maSmaE-RslZrTwDFiMlJLJCKDZOu0sCfbQZrXvvfOYmdIGYruS2flTfPtKhGDmRx1KLBQCMsB-gee2DkdnyT8x3adGHHSBhCgJMUSKHqztzsKgZBYzFBY3Buhavb0MolL/s1500/ubz-augsburg_01_1200x1500.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1200" height="578" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfMFgrYlzTb0AeQO5zMy4xSV58kdLyChJF7aBVBgnuFy7zabJrmfGDCL6maSmaE-RslZrTwDFiMlJLJCKDZOu0sCfbQZrXvvfOYmdIGYruS2flTfPtKhGDmRx1KLBQCMsB-gee2DkdnyT8x3adGHHSBhCgJMUSKHqztzsKgZBYzFBY3Buhavb0MolL/w462-h578/ubz-augsburg_01_1200x1500.jpg" width="462" /></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX5dVWTfN6BgKHEN_EbRSYKXz9c3kS93Fbg2QRU7c0R4NhJo_ObFgk-ni0fskWY9cEpkLMNMMd36mAEE5xCNGMleUepde32TDw-b40pxE3VijwOXCsYtKd8yutCgNrkmFvIDNetmq7UDzFXUxXftE_ZLmP6fujF_zfNbOnT-uDS8NeDIC7dTPKPKfe/s1500/Augsburg_Baustelle_02_1500x1000.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX5dVWTfN6BgKHEN_EbRSYKXz9c3kS93Fbg2QRU7c0R4NhJo_ObFgk-ni0fskWY9cEpkLMNMMd36mAEE5xCNGMleUepde32TDw-b40pxE3VijwOXCsYtKd8yutCgNrkmFvIDNetmq7UDzFXUxXftE_ZLmP6fujF_zfNbOnT-uDS8NeDIC7dTPKPKfe/w463-h308/Augsburg_Baustelle_02_1500x1000.jpg" width="463" /></a></div><div style="margin-left: 1em; margin-right: 1em;"></div></div><img border="0" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ9Kkl3xKYRcDw0Bt6MD9W9VY09m_1NTbw7JjYQKM5gaLsc252khGM9lWXLzOPO_5htGTf91Y26LCJFeTV6D_g5PkR1gsNURpOVefiGNeIq5wQidrKyp0WfcLsODX8qSPSAFOlrHzqFE58bG2PsPvotoEqOm6WPWUCwBvSQgp8abU7_ikXuAIb0DIk/w464-h309/Augsburg_Baustelle_03_1500x1000.jpg" width="464" /><br /><br /><div class="separator" style="clear: both;"><img border="0" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmYQbNALh0ruFEaXhu-m_3eHFvtFJznAU2TkNiR-QBdKBQx_6ZAVVdhjmfMOmqJmJqWa9kY5A9BxUHarWulPpFpNtTvcqoJaCvmGzcutCmfFGJtREZ8J_YAe8qUNpy2rRCZXPZZd4YNWbLcA9xawaN88XDTvrLu_n2CwvFrKupRp4CqifhGhHApN7i/w464-h314/UBZ_Agenda_1-1536x1039.jpg" width="464" /></div><br /><div class="separator" style="clear: both;"><img border="0" height="299" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3-gkk7ttfdig4VB3a6Of3hhEYxVyyAC9YVHpPcRLlcgrR8kC8nLjM9P6MpDsoKypzcoDJ4CQO8oHizpgZJ0A4VKsUukp-5nyFGo2ZOtdwzm96iSR1j40UOe09U0daVvO1sq9U74aPst4Vr6DSmqlZO7E35v9BMq3HMki0sQw4Tf3iozNYlDsIYglZ/w464-h299/UBZ_Agenda_9-scaled.jpg" width="464" /></div><br /><div class="separator" style="clear: both;"><img border="0" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5wal-36YdHFDAm_9vt1s8M9HZuH9RJyj9NJbCrD1M3IQp31jJmTlV041v63WFI83OwDn3wr7vanM1no7CyD2TlsMO6mHGH_ZdWjAY255WLKyEW5Jb4bLlhJ733nJxHkRZj1p-dFG8jQe4UPBwclQvI-4_V2kiYLWW36Bk42xNy6aAmo0VZ9OwYOvn/w465-h309/ubza_1_1350x900-1.jpg" width="465" /></div><br /><div class="separator" style="clear: both;"><img border="0" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQpEOffi2aM1jZxUNl6yLIdsyIYQWBHPTB4UlzB7x-dU4M0CCogjcNQRMqTP6s7piIQ03D72Gk6oxSVJ0loRnCwtHbaXDFqLHLUEUwmAT0Xqi_bN225fPWzbsXVaNMZyHKiQ8qKXikJD0xCviMdmCvMjpsdnVXYAOlbdlrhhbC9YOuaDKGIexp3qZG/w465-h309/ubza_3_1350x900.jpg" width="465" /></div><br /><div class="separator" style="clear: both;"><img border="0" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7f3oB0Cnr6jOlAFpvqQkT1465keamB-fHaNb1XM3ROiUJe_eFeDHaeCkP3SN_J-olAqNk5nDrqSaPMffk7lCu-aVoJg4kbIPcdin51myobenT6xYGYT6MBEkNlWDMvi5IBTnUJdsjvPRi3XUiJF8mis3BzykLLE1EWkj4tMW3e7oYLzZb0AIZVcvR/w465-h309/ubza_4_1350x900.jpg" width="465" /></div><div class="separator" style="clear: both;"><b style="font-family: arial; text-align: justify;">Centro de Educação Ambiental_Augsburg</b><span style="font-family: arial; text-align: justify;"><b>_2017-2022</b></span></div><span style="font-family: arial;">Hess/Talhof/Kusmierz_<br />Architekten und Stadtplaner BDA PARTGmbB<div style="text-align: justify;">Com a criação do novo Centro de Educação Ambiental de Augsburg, é criado um local integrado de aprendizagem sobre desenvolvimento sustentável, que servirá como ponto de contato, plataforma e espaço de encontro para diversas instituições e ONGs da cidade de Augsburg. No mesmo sentido, o edifício será um exemplo direto de construção energeticamente eficiente e sustentável.</div><div style="text-align: justify;">A sua localização fica na zona sudeste da cidade, numa extensão do Jardim Botânico e, portanto, no interface entre a cidade densa e urbana e o contexto natural da periferia. Esta situação é estrutural para o edifício, que foi planeado como um pavilhão de 1 piso, e planta quadrada, caracterizado pelo contraste entre a figura clara e ortogonal do edifício e as formas suaves e orgânicas do foyer central. Estas duas dimensões também se refletem na construção implementada: por um lado, a rigorosa e linear construção em madeira lamelada que define o edifício no seu exterior, por outro, a texturas e embutidos das paredes curvas em taipa do átrio central. O Átrio forma o coração do edifício, que funciona como zona de exposições e espaço de comunicação ambiental.</div><div style="text-align: justify;">As paredes em taipa acompanham e definem a estrutura do edifício em três elementos / paredes. Elas definem as entradas principais e laterais e as transições suaves de fora para dentro. As formas do átrio continuam no encaminhamento dos caminhos e espaços abertos circundantes. Estes podem, naturalmente, ser incluídos no processo educativo como locais de ação e aprendizagem, e facilmente integrados em exposições através das várias entradas e saídas. O tema das estruturas de vegetação existentes e heterogêneas de grupos individuais de árvores e árvores densas no Jardim Botânico será fortalecido pela plantação de mais árvores. </div></span><span style="font-family: arial;"><div style="text-align: justify;">Os espaços abertos na envolvente do novo Centro de Educação Ambiental de Augsburg serão planeados como "jardins selvagens", em conexão com o Jardim Botânico e divididos em áreas ativas e tranquilas por zoneamentos livres.</div><div style="text-align: justify;"><img border="0" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUnWIJS_B7mYgdummvoTZfJ4PwkH45i_yzq_RH5lMIgyk26s2KF_oaUYamhSJIVGEmJKwEGhp7uB4VnsTXbQISLjentihQ-fTUkykUzMTjpr_LxU7BH_SnHhLQvwjEFVHACr1jerUotpz_VrrdgEWsy2SSePzjOLQa-H68c0N57YeY9RNW8OzdELU6/w466-h310/umweltbildungszentrum-augsburg_modell1B_grey_1500x1000.jpg" style="font-family: "Times New Roman"; text-align: start;" width="466" /></div><div style="text-align: justify;"><img border="0" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXMqt9f7HulqTGJ3LjC3Lc5Sp0PRkcGwtoE8OK6EL_BsKK9C5z-6ZsW2x2rGWTylDWaQltOglRiMQk_zAluAvXmEFK2BzbATCNNFPlkMabOnzVbnrJNw16eGSTjzZrcCWOJvxjPOAvkFG-Rcj4qzDLm6su49FgVKDCxjNdm25_wei5U5Enp1y3aIyY/w466-h310/umweltbildungszentrum-augsburg_modell2_1500x1000.jpg" style="font-family: "Times New Roman"; text-align: start;" width="466" /></div><div style="text-align: justify;"><img border="0" height="466" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl-9VNyjR7nqPoVod5WRBoSsKgdQxBzwdS1p294ydThXSghugAB2iQ70nhI8bpJHItqdsCgS4V8NB0_vMO_yFbMIUXqV1ldW56m2jam8rn0_OW0Mso3oRkyciUkrcUBTKYDy99s_VSp1a-df7yTNXwU_jZPfUe5W0WBkffr7QZ1MS1wRgTP2kGwC61/w466-h466/Umweltbildungszentrum_Grundriss-EG_gedreht_1500x1500.png" style="font-family: "Times New Roman"; text-align: start;" width="466" /></div><div style="text-align: justify;"><img border="0" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV56r6WiNmTnJDQ2Y6Y6eTuoPDptd0-har2ZTxqxQwbN443SjuS3UK2wOjEWrsn0sE43m1h58ivvEj1KIad3VEJ7VHfBp14KT8UVfSV3-Ul2IVM21Exn9qFmE4mODrSoCr_8eeaxLMu2OZpuNMQmkomjP-HiDxqhFbpnnOvQpeEHKU3iZwXt8lbNbl/w466-h310/Umweltbildungszentrum_Sued_West_1350x900.png" style="font-family: "Times New Roman"; text-align: start;" width="466" /></div><div style="text-align: justify;">Projeto_Construção de um Centro de Educação Ambiental em Augsburg, tendo em conta metas exigentes para uma construção energeticamente eficiente e sustentável</div></span><span style="font-family: arial;"><div style="text-align: justify;">Concurso_2º prémio (2017)</div><div style="text-align: justify;">Período de planeamento e realização 2017-2022 (Conclusão 2022)</div><div style="text-align: justify;">Cliente_Cidade de Augsburg e Associação de Conservação da Paisagem Cidade de Augsburg eV</div><div style="text-align: justify;">Equipa de Concurso_Felix Lowin, Mascha Zach, Ana Fischer</div><div style="text-align: justify;">Equipa do Projeto_Mascha Zach, Margarita Konorova, Ana Fischer</div><div style="text-align: justify;">Paisagismo_Burger Arquitetos paisagistas Susanne Burger e Peter Kühn parceria, Munique</div><div style="text-align: justify;">Parceiro de planeamento estrutural_merz kley, Dornbirn</div><div style="text-align: justify;">Consultoria em construção de madeira_Dipl.Eng. Arquiteto Maren Kohaus, Munique</div><div style="text-align: justify;">Visualização_3dway, Fuerth</div><div style="text-align: justify;">Fotografias_Norbert Liesz, Linus Ficht</div></span>Taipahttp://www.blogger.com/profile/17662964083732059104noreply@blogger.com0